Terry Staunton

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Radio Times
For 14 reviews, this critic has graded:
  • 42% higher than the average critic
  • 14% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 1.3 points lower than other critics. (0-100 point scale)

Terry Staunton's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 80 Power To The People: John & Yoko Live in NYC
Lowest review score: 40 Five Nights at Freddy's 2
Score distribution:
  1. Positive: 6 out of 14
  2. Mixed: 8 out of 14
  3. Negative: 0 out of 14
14 movie reviews
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    • 64 Metascore
    • 40 Terry Staunton
    undertone
    In all fairness, Tuason ups the ante in the last reel, the pedestrian tease of what went before giving way to more palpably spooky shenanigans, but it’s a ludicrously long wait for the yarn to step up a gear that runs the risk of the audience having already given up on the whole affair.
    • 59 Metascore
    • 60 Terry Staunton
    Peaky Blinders: The Immortal Man
    Of the newcomers to the saga, Keoghan imbues Duke with a tender vulnerability beneath all his surface bluster and violence, and his scenes with Murphy give the film palpable heart whenever it runs the risk of being overwhelmed by beatings, bullets and bombs.
    • 35 Metascore
    • 60 Terry Staunton
    Scream 7
    There are undeniable faults, plot holes and a dubious ending, although it’s still a crowd-pleaser executed with zest, suggesting Williamson is integral to Scream, if you wanna go faster.
    • 78 Metascore
    • 60 Terry Staunton
    Paul McCartney: Man on the Run
    Neville, an Oscar winner for his 2013 study of backing singers 20 Feet from Stardom, devotes perhaps too much time to biographical details fans will already know well, but should be applauded for scratching deeper below the surface of a superstar in transition.
    • 26 Metascore
    • 40 Terry Staunton
    Five Nights at Freddy's 2
    It should be funnier, it should be more frightening, and it needed everyone involved to bring a feistier game to a film that began life as, well, a game. Here’s hoping any future reservation at the deathly diner has a more mouth-watering menu.
    • 59 Metascore
    • 60 Terry Staunton
    Springsteen: Deliver Me from Nowhere
    Deliver Me From Nowhere works best when it’s small, when its sharper focus is on a troubled thirty-something burying himself in the creation of what would become one of his most celebrated records, digging deep into music both haunting and healing.
    • 41 Metascore
    • 40 Terry Staunton
    The Woman in Cabin 10
    The pity is that one look at the cast list promises riches that never surface; these are hugely talented actors feeding on the scraps of a solid premise made stagnant by the screenplay’s myriad shortcomings.
    • 57 Metascore
    • 60 Terry Staunton
    Spinal Tap II: The End Continues
    There’s still a good time to be had, but such beloved characters deserve a better film than this – and seeing as the actors wrote it they’ve only themselves to blame.

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