Soren Andersen

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For 373 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 2.1 points lower than other critics. (0-100 point scale)

Soren Andersen's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Spider-Man: Across the Spider-Verse
Lowest review score: 12 Norm of the North
Score distribution:
  1. Negative: 74 out of 373
373 movie reviews
    • 56 Metascore
    • 50 Soren Andersen
    It’s all big action. Big colorful visuals. Outsized vocal performances.
    • 52 Metascore
    • 50 Soren Andersen
    None of this is especially promising or, frankly, funny. In fact, for much of its length, “Despicable Me” is painfully unfunny.
    • tbd Metascore
    • 50 Soren Andersen
    There is advocacy. And then there is propaganda. The Trolley, with its overcooked rhetoric, falls into the latter category.
    • 31 Metascore
    • 50 Soren Andersen
    The Book of Henry launches itself into cloud cuckooland and never returns to Earth.
    • 43 Metascore
    • 50 Soren Andersen
    Forster gets decent performances from Lively and Clarke, but the overall impression “All I See” leaves is of a picture that fails to live up to its filmmaker’s ambitions.
    • 45 Metascore
    • 50 Soren Andersen
    Angel Has Fallen plays out exactly as you would expect from a potboiler of this type. No surprises here, other than that it exists at all. It’s the kind of movie one expects to be released at the shank end of summer. Time to turn the page to fall.
    • 48 Metascore
    • 50 Soren Andersen
    Similar to the scenario of the original picture, it’s a band of grizzled soldier types who battle the alien menaces. Missing, however, is a formidable leading-man presence in the Schwarzenegger mold.
    • 48 Metascore
    • 50 Soren Andersen
    Curiously though, director Michael Dougherty and his filmmaking team obscure the battle footage in darkness, smoke and downpours, making murky much of the imagery.
    • 78 Metascore
    • 50 Soren Andersen
    With all of Shults’ dark-night-of-the-soul mood manipulations, the film promises more than it delivers. Its buildups are impressive, but in the end its frights are mild.
    • 52 Metascore
    • 50 Soren Andersen
    It’s somehow only fitting that with Scarlett Johansson in the lead role, Ghost in the Shell leaves you with the feeling that something has been lost in translation.
    • 42 Metascore
    • 50 Soren Andersen
    Daddy’s Home is a movie with a one-joke premise: Will Ferrell, he’s a pincushion of punishment. Make him screech. Watch him squirm.
    • 67 Metascore
    • 50 Soren Andersen
    So yes: Wow! Gasp! There are some really pretty pictures here. But wow! Gasp! The story is really pretty … stupid.
    • 68 Metascore
    • 50 Soren Andersen
    Yep, we’re in Tarantino territory for sure: way too self-indulgently long, and way, way overboard with that N-word.
    • 61 Metascore
    • 50 Soren Andersen
    This is a picture whose subject, loudly and frequently proclaimed, is magic. But there is precious little of the genuine article to be found in it.
    • 63 Metascore
    • 50 Soren Andersen
    The picture is essentially a brief for Wise’s case. And as such, it’s as dry and uncinematic as a dusty legal document.
    • 43 Metascore
    • 50 Soren Andersen
    The “Dragon Tattoo” series continues with “Spider’s Web,” but it seems as though the franchise is running out of gas and fresh ideas.
    • 70 Metascore
    • 50 Soren Andersen
    There’s a lot going on here, which leads to a whole lot of gassy exposition to explain it all.... Think of it as torture by blah-blah.
    • 47 Metascore
    • 50 Soren Andersen
    With anybody other than a superstar like Tom Cruise in the title role, Jack Reacher: Never Go Back would just be a routine potboiler. With superstar Tom Cruise in the title role, Jack Reacher: Never Go Back is … a routine potboiler.
    • 49 Metascore
    • 50 Soren Andersen
    Affleck sports plenty of snappy ’20s fashions, tailored double-breasted suits, often cream-colored, and elegant Borsalino-style fedoras. He’s dressed to kill for sure. Too bad his movie is so deadly dull.
    • 54 Metascore
    • 50 Soren Andersen
    Betrayals, narrow escapes and much battle action ensue in the course of the picture’s paint-by-numbers plotting.
    • 58 Metascore
    • 50 Soren Andersen
    Rather than using the extended running time to dig deep into these characters, director Andy Muschietti, who also directed the original, piles on the frights in a manner that builds to an ending drenched in hysteria.
    • 45 Metascore
    • 50 Soren Andersen
    You wait and you wait, through many overamped special-effects action sequences, for the cavalry to save the day, but by the time it finally appears, the picture has been long dead.
    • 65 Metascore
    • 50 Soren Andersen
    In the midst of all the mayhem it’s sometimes hard to stay awake.
    • 37 Metascore
    • 50 Soren Andersen
    Get out your handkerchiefs, but don’t expect to believe a minute of this vastly improbable tale.
    • 34 Metascore
    • 50 Soren Andersen
    Shouting and struggling, poor Pratt vainly tries to give his character dimension and some sense of sympathy. So genial and engaging in the Guardians of the Galaxy series, Pratt flails grouchily and ineffectively in Mercy.
    • 45 Metascore
    • 50 Soren Andersen
    Originality was on vacation when this picture was made.
    • 28 Metascore
    • 50 Soren Andersen
    The action is pumped up. The destruction is extreme. The whole thing is absurd.
    • 47 Metascore
    • 50 Soren Andersen
    The characters are so thinly sketched that the audience feels little emotional investment in them, and the handheld (or rather head-mounted) cameras produce the same jittery visuals that many viewers found so off-putting in the original.
    • 54 Metascore
    • 50 Soren Andersen
    As a creature feature, Cocaine Bear isn’t bad. Not great, mind you. But not bad.
    • 57 Metascore
    • 50 Soren Andersen
    The Wedding Guest is a thriller without thrills.

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