Saskia Lloyd Gaiger

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For 14 reviews, this critic has graded:
  • 21% higher than the average critic
  • 0% same as the average critic
  • 79% lower than the average critic
On average, this critic grades 0.1 points higher than other critics. (0-100 point scale)

Saskia Lloyd Gaiger's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 80 The Innocent
Lowest review score: 50 Theater Camp
Score distribution:
  1. Positive: 8 out of 14
  2. Negative: 0 out of 14
14 movie reviews
    • 82 Metascore
    • 70 Saskia Lloyd Gaiger
    Smoke Sauna Sisterhood is a window into an enviable cultural practice of solidarity, as the safe communal space provides a place for gossip and laughter as well as the expression of pain.
    • 70 Metascore
    • 50 Saskia Lloyd Gaiger
    It contains an effervescent combination of haste, impassioned nostalgia, and genuine affection between cast and crew. Going full method is to be commended, but the result is a back-slapping sesh that forgets its satirical intentions somewhere along the way.
    • 68 Metascore
    • 80 Saskia Lloyd Gaiger
    Altogether, the Innocent is a relatively low stakes story of ordinary people doing humbly ridiculous if fairly illegal things – and all the more charming for it.
    • 74 Metascore
    • 70 Saskia Lloyd Gaiger
    The near-romantic jealousy between long-time friends, and the excruciating but sometimes rewarding difficulty of introducing contrasting friends to one another, are explored to squirm-inducingly funny effect.
    • 74 Metascore
    • 60 Saskia Lloyd Gaiger
    The film, totally dégagé about its own ludicrous lameness, really doesn’t give a fuck.
    • 81 Metascore
    • 70 Saskia Lloyd Gaiger
    Too real for its whimsy and too whimsical to be realistic, Amanda will likely linger on those people who don’t leave their bedrooms much, more than on the reasons why they should – and that stunts its charm.
    • 81 Metascore
    • 60 Saskia Lloyd Gaiger
    It’s a satisfying film, even though it lacks closure. Nothing is unnecessary or over the top – so Moll doesn’t push the boat out.
    • 54 Metascore
    • 70 Saskia Lloyd Gaiger
    Cocaine Bear transcends terms such as ‘good’ and instantly enters the realm of ‘beloved trash’. It will be viewed at teen sleepovers, as a romantic icebreaker, and when no one can decide what to watch for decades to come – the sort of uncomplicated, silly, surreal viewing experience that might not change your life, but will certainly enrich it.
    • 73 Metascore
    • 60 Saskia Lloyd Gaiger
    The Inspection is a powerful yet unsettlingly inconclusive account of an important, haunting period in a man’s past.
    • 76 Metascore
    • 70 Saskia Lloyd Gaiger
    The feeling of nostalgia is perhaps overstressed, and the pacing is odd. But the tension created as foolish Felice drifts into a trap of his own making is magnetic.
    • 73 Metascore
    • 60 Saskia Lloyd Gaiger
    It’s a highly uncomfortable watch – it documents the countdown to death in a determined yet uneasy way.
    • 75 Metascore
    • 80 Saskia Lloyd Gaiger
    Although it celebrates Morricone’s particular genius, this documentary is not greedy with the nostalgia it generates as it casts light on so many parts of 20th century culture.
    • 69 Metascore
    • 70 Saskia Lloyd Gaiger
    The layering of material is done carefully, with narrative embedded within the images.
    • 63 Metascore
    • 50 Saskia Lloyd Gaiger
    The overall effect of this well-starched pantomime of Britishness is dizzying – it produces the peculiar kind of seasickness induced by cake-coloured period dramas when they don’t quite capitalise on their potential for quality kitsch, instead over-amping the nostalgic sentimentality, and neglecting the campiness that could make them so much more fun.

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