Sarah Bea Milner

It's a rich story that forgoes a traditional format, challenging the conventions of the industry. It's progressive, it's unapologetically feminist, and it's unforgettable.

It's a remarkably compelling film that is sure to stay in the hearts and minds of audiences for years to come.

Disarmingly relatable and unpredictable, Parallel Mothers is an unflinching and unforgettable look at motherhood, love, and loss.

It's a fascinating character study and a strong debut for Clint Bentley.

Shaun The Sheep: The Flight Before Christmas is not only funny — it's also surprisingly sweet and touching.

It's a story about family and preservation, but more than that, Flee is a testament to the broken social systems that allow families to fall through the cracks, leaving them desperate — and as a result of that desperation, vulnerable.

Son of Monarchs is an expertly crafted visual experience that weaves disparate themes and images.

Ultimately, The Eyes of Tammy Faye has to compromise its story with real events, and at least it gives Tammy Faye a celebratory note to end on.

Generally, No Man of God takes a more mature and nuanced look at human evil, rejecting the impulse to glorify or romanticize figures like Bundy, but also reminding audiences that moral corruption manifests in many forms.

The Last Mercenary is Van Damme at his best: his comedic timing is precise (likely because he's acting in his native tongue), and the movie's action set pieces are deeply satisfying.