Sarah Bea Milner

Drive My Car is an engaging film that tells an unconventional tale of kinship and self-discovery.

It's a story about family and preservation, but more than that, Flee is a testament to the broken social systems that allow families to fall through the cracks, leaving them desperate — and as a result of that desperation, vulnerable.

It's a fascinating character study and a strong debut for Clint Bentley.

Ultimately, The Eyes of Tammy Faye has to compromise its story with real events, and at least it gives Tammy Faye a celebratory note to end on.

Son of Monarchs is an expertly crafted visual experience that weaves disparate themes and images.

Disarmingly relatable and unpredictable, Parallel Mothers is an unflinching and unforgettable look at motherhood, love, and loss.

It's a remarkably compelling film that is sure to stay in the hearts and minds of audiences for years to come.

Squeezing every possible ounce out of the actors, script and sets, Stark delivers a thrilling medical drama that asks: what is the cost of living?

Shaun The Sheep: The Flight Before Christmas is not only funny — it's also surprisingly sweet and touching.

The Last Mercenary is Van Damme at his best: his comedic timing is precise (likely because he's acting in his native tongue), and the movie's action set pieces are deeply satisfying.