Samantha Bergeson

It’s believably fun, but best suited for the age group the actors embody. Any older audience member will surely roll their eyes at the spoon-fed cuteness. Yet for a 12-year-old, “Crater” just might feel like shooting for the moon.

Scrambled will make you text your ex — or former Hinge hookup with a “hey stranger” — but in the end, you’ll feel confident knowing your best self is still just dancing on your own. Here’s to that.

A Tourist’s Guide to Love is a road map for how to love adventure abroad, with dashes of Vietnamese trivia and spiritual facts along the way.

If a tired retelling of a serial killer thriller premieres in theaters and nobody sees it, did it actually happen? Unfortunately, yes.

Andy Fickman’s film is bogged down with blatant exposition, courtesy of Emma’s sister Marie (Michaela Conlin), Hallmark-esque declarations amid a bland score, and more plot holes (how did Jesse survive?!) than we care to admit.

Murder Mystery 2 is the perfect background noise that Netflix has built an empire out of.

There are late bloomers and then there those who never bloom at all. Unfortunately for Lisa Steen’s feature debut “Late Bloomers,” the film doesn’t open up in time to blossom into something great.

If this was the last romantic comedy of 2023, it’d already have been a great year for rom-coms.

The stifled quietness of “Strangler” leaves us wanting more, for better or for worse.

The problem with At Midnight isn’t the gorgeous scenery or the casual believability of the sparks between Boneta and Barbaro. It’s the production quality — mostly that there is none. Episodes of “Bachelor in Paradise” have better cinematography than this Paramount+ feature, making the streamer seem incapable of competently funding anything that isn’t produced by Taylor Sheridan.