Robert Horton

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Film.com
For 189 reviews, this critic has graded:
  • 37% higher than the average critic
  • 2% same as the average critic
  • 61% lower than the average critic
On average, this critic grades 12.6 points lower than other critics. (0-100 point scale)

Robert Horton's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 100 Being John Malkovich
Lowest review score: 0 Tomcats
Score distribution:
  1. Positive: 63 out of 189
  2. Mixed: 87 out of 189
  3. Negative: 39 out of 189
189 movie reviews
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    • 34 Metascore
    • 60 Robert Horton
    Isn't She Great
    Good enough in spots to make you wish it could have sustained its campier inclinations.
    • 61 Metascore
    • 60 Robert Horton
    Goya in Bordeaux
    Worth a look, even if it doesn't quite find the internal logic it seems to be searching for.
    • 41 Metascore
    • 40 Robert Horton
    Godzilla 2000
    Has its dull spots, and is unintentionally laugh-out-loud funny at times -- but isn't that what we expect?
    • 63 Metascore
    • 60 Robert Horton
    The Patriot
    Gibson's performance is robbed of his customary humor, and he flounders around in search of the character's core.
    • 30 Metascore
    • 40 Robert Horton
    Where the Heart Is
    Serves up the usual homilies, but it lacks the quirky density and cinematic snap.
    • 75 Metascore
    • 60 Robert Horton
    Bulworth
    Bulworth shoots along with great vigor, and its non-politically correct jabs are occasionally exhilarating.
    • 52 Metascore
    • 50 Robert Horton
    Bring It On
    Enough pep in this picture to make it rise above teen-movie expectations.
    • 60 Metascore
    • 40 Robert Horton
    Illuminata
    I'll be damned if I can figure out how its various ingredients are supposed to blend together.
    • 74 Metascore
    • 50 Robert Horton
    Go
    When the writing is good, Go is good, and when the writing is flat, things fall apart.
    • Film.com
    • 74 Metascore
    • 60 Robert Horton
    The Dish
    If it weren't so pushy about selling itself, The Dish might have been a very special movie.
    • 73 Metascore
    • 50 Robert Horton
    Black Cat, White Cat
    There is a point in the movie when this mayhem crosses the line from wildly imaginative to downright insufferable.
    • 73 Metascore
    • 60 Robert Horton
    Erin Brockovich
    Julia Roberts owns this sweet-natured film.
    • 69 Metascore
    • 40 Robert Horton
    Nurse Betty
    This fantasy-tinged romance leaves a distinctly bitter aftertaste.
    • 68 Metascore
    • 60 Robert Horton
    Theeviravaathi: The Terrorist
    When it counts, this film is absolutely successful.
    • 68 Metascore
    • 50 Robert Horton
    Santitos
    A Mexican film that reaches for a very weird and risky tone, and, I think, fails.
    • 67 Metascore
    • 60 Robert Horton
    An Affair of Love
    When the film is sexy, it's truly sexy, assuming that you believe sexiness has something to do with the exploration of a connection between people.
    • 66 Metascore
    • 60 Robert Horton
    Bridget Jones's Diary
    The movie gives us episodes from her life, and although some of them are charming and all of them well-played, I occasionally found myself wondering why I should want to be interested in this person.
    • 63 Metascore
    • 40 Robert Horton
    Boiler Room
    Mostly this film skims by on the surface, its conflict and climax visible from the opening five minutes.
    • 39 Metascore
    • 40 Robert Horton
    Bait
    The plot is convoluted.
    • 62 Metascore
    • 50 Robert Horton
    The Claim
    This director's (Winterbottom) reach is impressive, but this time it doesn't quite grasp.
    • 44 Metascore
    • 50 Robert Horton
    Snow Falling on Cedars
    Not a crowd-pleasing, or even audience-oriented, movie; it's a two-hour-plus mood piece.
    • 61 Metascore
    • 60 Robert Horton
    The Green Mile
    I still feel pushed around by Darabont's mysticism, and his overbearing sense of grandness; a little bit of the Mile goes a long way.
    • 59 Metascore
    • 60 Robert Horton
    Big Eden
    Little of this is plausible, but it is beguiling.
    • 59 Metascore
    • 60 Robert Horton
    The Perfect Storm
    The storm is the reason to see the movie.
    • 59 Metascore
    • 60 Robert Horton
    Mission: Impossible II
    The problem is that the motion picture around these individual stunts is patently a committee-made artifact.
    • 59 Metascore
    • 60 Robert Horton
    Anywhere But Here
    This relationship might be strong enough to carry an observational novel, but the movie feels like it's missing something.
    • 59 Metascore
    • 60 Robert Horton
    Onegin
    (Tyler's) voice is still mall American, and Onegin's rejection of her is nowhere near as puzzling or as tragic as it's supposed to be.
    • 58 Metascore
    • 50 Robert Horton
    The Yards
    A collection of movie situations, recognizable from the films of Coppola and Scorsese, with a less obvious debt to Kazan.
    • 57 Metascore
    • 60 Robert Horton
    The Muse
    Enough well-conceived jokes that the whole thing works very nicely.
    • 56 Metascore
    • 50 Robert Horton
    An Everlasting Piece
    This mild but amusing comedy wasn't written by Levinson, and the accents may be different, but the feel is similar.
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