Robert Daniels

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For 424 reviews, this critic has graded:
  • 47% higher than the average critic
  • 4% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 0.8 points lower than other critics. (0-100 point scale)

Robert Daniels' Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 The Annihilation of Fish
Lowest review score: 0 The Instigators
Score distribution:
  1. Negative: 70 out of 424
424 movie reviews
    • 59 Metascore
    • 40 Robert Daniels
    While The Forgiven isn’t concerned with making David a better person — rather to get him to fully grasp his guilt — McDonagh’s methods can’t distinguish the film from the long list of stories about white folks learning lessons at the expense of brown people. There may have been higher ideals in mind, but “The Forgiven” fails to gracefully reach them.
    • 59 Metascore
    • 50 Robert Daniels
    While there’s plenty of large entertaining set pieces, Sheridan’s intriguing premise withers under its overabundant components.
    • 59 Metascore
    • 38 Robert Daniels
    After the forced bursts of energy, nightmarish dream sequences, and a strained bit of self-absolution recede, you soon realize that writer/director Niclas Larsson’s “Mother, Couch,” a morose, nonsensical family drama is about as interesting as the lint between the cushions.
    • 59 Metascore
    • 75 Robert Daniels
    While the autobiographical elements are incredibly light, there’s enough humility here to make the viewer surrender to the film’s melodic charms.
    • 59 Metascore
    • 42 Robert Daniels
    Cruella is a dull overwrought origin story without an audience.
    • 58 Metascore
    • 50 Robert Daniels
    Ready or Not 2: Here I Come delivers short-term thrills in an emotionally hollow gore fest.
    • 58 Metascore
    • 50 Robert Daniels
    Unfortunately, much like the light at the end of the tunnel, the thinness of this situational comedy, which continues to hit the same jokes with diminishing returns, becomes glaringly obvious.
    • 58 Metascore
    • 50 Robert Daniels
    The ticking clock makes The Midnight Sky a post-apocalyptic survivalist space film whose narrative is so overloaded that the emotional weight offers zero gravity.
    • 58 Metascore
    • 75 Robert Daniels
    While the killer with a heart of gold trope works to varying degrees, mostly because of Manganiello’s unvarnished presence, the thematic heft of The Kill Room is enough to make it an intriguing and entertaining early work.
    • 58 Metascore
    • 88 Robert Daniels
    Riddle of Fire can sometimes lose its spit, however, spinning too listlessly to the script’s mazy ruts. But there is an uncommon, finely struck sweetness to this film that keeps it from tumbling down mean, unsavory paths.
    • 58 Metascore
    • 50 Robert Daniels
    At every turn director James Mangold desperately wants to recapture the glory of old-school Hollywood filmmaking, but turns, painstakingly to the worn-out tools of present-day tentpole moviemaking.
    • 57 Metascore
    • 38 Robert Daniels
    The Book of Clarence, the religious epic by multi-hyphenate talent Jeymes Samuel, is a handsomely crafted picture that simply loses the plot.
    • 57 Metascore
    • 65 Robert Daniels
    The parts of Snyder’s Army of the Dead are definitely stronger than the whole. But if you’re looking for a preposterous onslaught of blood and guts melded with sharp-tongued humor, then Army of the Dead is the big swinging zombie film of your fantasies.
    • 57 Metascore
    • 70 Robert Daniels
    While Arcadian is far from being a new modern horror masterpiece, it makes for a satisfying B-movie romp.

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