For 347 reviews, this critic has graded:
  • 45% higher than the average critic
  • 4% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 6 points lower than other critics. (0-100 point scale)

Nick Allen's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Makala
Lowest review score: 0 DriverX
Score distribution:
  1. Negative: 76 out of 347
347 movie reviews
    • tbd Metascore
    • 38 Nick Allen
    Yet while the doc might prove that his approach worked, it’s progressively tedious to revisit these hits through such a thick air of self-affirmation.
    • tbd Metascore
    • 63 Nick Allen
    A wholesome fantasy built of serene settings and cute animals is more fun when it gets a little wacky, and thankfully A Whisker Away has some left-field ideas to make the tale more magical as it goes along.
    • tbd Metascore
    • 38 Nick Allen
    Mighty Oak is clumsy when presenting its darkest stuff, and can't balance that with its sporadic attempts at broad humor.
    • tbd Metascore
    • 12 Nick Allen
    Any degree of sleaze requires a little wit, and Yummy has none. As it struggles to be even mildly significant in the sprawling history of zombie stories, it eventually leaves viewers with a movie that's just plainly ugly.
    • tbd Metascore
    • 75 Nick Allen
    Kevin Tran’s The Dark End of the Street is a warm, modest film all around—its ambitions, filmmaking, and especially pacing.
    • tbd Metascore
    • 63 Nick Allen
    The Wasteland is the unique case of a horror movie with a more robust visual sense than a lot of its contemporaries, but that still doesn’t create a larger terror. It’s more the stuff of directors' reels, not nightmares.
    • tbd Metascore
    • 88 Nick Allen
    It is a horror/fantasy that puts every bit of its imagination on the screen and constantly impresses with its DIY spectacle.
    • tbd Metascore
    • 50 Nick Allen
    Instead of gradually winning over the viewer, The Mill tests your patience. And instead of achieving a poignant fury, the film's inspiration runs out of energy, long before Howery’s Joe decides that enough is enough.

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