Nell Minow

Dog is uneven in tone and quality but shows promise in the way Tatum and Carolin approach the story with care and heart.

Yes, the script might as well have been written by an algorithm to hit every rom-com beat, from the meet-cute to the magical connection to the setback to the happy ending, but it deserves extra credit for what it avoids. There are no silly misunderstandings, contrived situations, or cartoonishly awful people.

The wolf and the lion make a great team; the humans and the script do not.

The passion for the food, the dream, and each other that fueled the beginning of the story is less vibrant when the details are revealed.

The biggest problem is that the most touching moments are hammered so hard. "Redeeming Love" could have tried to reach a broader audience but settles for preaching to the choir.

With its Indiana Jones-style adventure, Hotel Transylvania: Transformania combines monster powers lost and found (love those innumerable wolf cubs), pure joyous silliness, and surprisingly touching insights into family relationships.

It wears its heart on its sleeve, unpretentious and sincere as a homemade valentine.

Touching on issues of identity, integrity, and grief, “Swan Song” never feels formulaic due to the complex, committed performances of its stars and the thoughtful exploration of the issues it raises.

The contrast between the edgy, high-energy songs and the thinly-drawn characters and predictable storyline will make it of most interest to viewers young enough to be unfamiliar with the formulas it never transcends.

This movie shows us the teamwork, the dedication, the national pride, the astonishing vistas, and the reason that Purja and his team deserve to be as renowned as Sir Edmund Hillary, maybe more.

A Boy Called Christmas is a resplendent Santa Claus origin story with a star-filled cast, sumptuous visuals, and some melancholy details to keep it from being too sugary.

Miranda, who starred as Larson in a theatrical performance of this play, directs the film with a deep understanding of the passion, struggle, and ebullience of an artist committed to an art form that requires a lot of money and a lot of other people to be brought to life.

As well-paced and cleverly deployed as all of the slapstick is here, it's hard to watch Jeff get slammed in the head or Pam step on Legos without wincing more than we laugh.

Hanks does his considerable best with Finch’s revelations and confrontations, but the writing lets him down.

The Electrical Life of Louis Wain has the same problem as its real-life subject, in that it goes off in too many directions at once.

This is very evidently a personal story for the people who made it, a heartfelt note of thanks for the fresh start they found in their new home, and for all fresh starts and the people with the courage to find them.

This sequel makes up for some of the problems with the 2019 "Addams Family" animated family film, which suffered from an uneven tone and a meandering storyline.

Director Sarah Adina Smith has a gift for striking images and creating intriguingly spooky moods, bordering on gothic, but the plot is so overstuffed we hardly have time to even notice Jacqueline Bisset as the demanding director of the ballet group.

The screenplay is painfully incompetent, the comedy is puerile, and the direction limps along like a set of disconnected skits, with no sense of pacing or rhythm. It is genuinely painful to see some of the most talented and appealing actors in Hollywood, including Justin Long himself, wasted in a movie that shows such a lack of respect for the audience.

Watching Queenpins is like eating grocery store birthday cake. It is very pleasurable in the moment but likely to leave you feeling empty and a little queasy.

The frenetic silliness and uneven tone are unfortunate distractions from the genuine pleasures of the film, including Cabello's appealing performance as Cinderella, and the creative and energetic musical numbers.

It is a sweet little end of summer sorbet with appealing young performers and a script that refreshes the original without overdoing it.

Writer/director Ann Hu, who based the film on her own experience, has a gift for subtle details that illuminate character and culture.

Parents will appreciate the way the pups tackle problem solving, working together to make the best use of each character's talents, coming up with alternative strategies when the initial plans are not working, and understanding the mistakes made by team members.

Health care is unquestionably one of the most complicated problems the government ever has to grapple with, even without the obstacles and obfuscation from dark money and corporate lobbyists. We do not need a briefing book, but the film would be more effective if it clarified some of the priorities Barkan and his group are advocating.

We cannot help wishing, as we do so often in watching what passes for news these days, that this story was told with more insight, context, and, well, focus.

Long's screenplay pushes around the puzzle pieces of all of these characters, events, and discoveries so that they all line up as expected, but the process makes for a pleasant ride with some genuinely endearing moments.

If you are in the mood for a "they don't make movies like that anymore" movie, meaning soapy melodrama with enough glamorous glow to keep you from thinking too hard, then The Last Letter From Your Lover might do the trick.