Neil Smith

Clark Gable and Vivien Leigh create their own sizzle as Rhett Butler and Scarlett O’Hara in a lavish four-hour epic that juxtaposes scenes of jaw-dropping majesty – that aerial shot of the Confederates’ wounded, for example – with moments of elegant intimacy and playful verbal jousting.

Breathlessly tense, thrillingly orchestrated and intellectually complex, this damn fine piece of rigorous, meticulous filmmaking enhances Kathryn Bigelow's status as one of her generation's most accomplished directors.

One great British artist pays tribute to another in a lengthy but rewarding homage that boasts a titanic turn at its centre. Rarely has watching paint dry been so fascinating.

Driver and Johansson face off to stunning effect in Baumbach’s finest feature to date. So good it hurts.

With Huston spending most of the shoot big-game hunting, it’s probably cameraman Jack Cardiff who deserves kudos for turning this odd-couple romance into such a colourful escapade through east Africa.

A spiky, pithy, and unconventional delight.

The H2O theme fits in with the main feature, its tale of a clownfish searching for his son constituting Pixar’s most effective amalgam of comedy, artistry and emotional pull.

A feel good sequel only marmalade haters could resist.

Do not throw away your shot at watching Hamilton’s original cast both make and recreate history. ‘Satisfied’? You will be.

A superlative slice of ’70s social realism.

Will Richard E Grant ever get a better role than bitter thespian Withnail? Has anyone devised a more iconic comic notion than the Camberwell Carrot? Has any screenplay combined so many quotable lines with such tear-jerking pathos or blatant homophobia?

With it comes admission into a stunning world of majesty and savagery; shame about the overbearing Philip Glass score.

A prize-winning page-turner becomes a moving, harrowing and redemptive drama about the ties that bind a mother to her child. Be warned: one box of tissues may not be enough.

Reichardt and Williams reunite to muted effect to create a portrait of an artist that feels a little unfinished.

There’s no questioning Skarsgård’s commitment to his character’s descent into depravity, while the gifted Goth is fearlessly uninhibited. But just because Infinity Pool looks good on the surface, that doesn’t mean it has hidden depths.

One of [Hawks'] finest pictures: a swoony saga of fatalistic flyboys and the women who try to keep their feet on the ground.

A master filmmaker mines cinema’s glamorous past in a nostalgic neo-noir you don’t so much watch as surrender to.

Chastain and Sarsgaard make a riveting duo in a film that – like Franco’s Tim Roth double Chronic and Sundown before it – is in no great hurry to elucidate its mysteries.

A stop-motion charmer.

Charming, poignant and often very funny, Baumbach and Gerwig’s latest collaboration is a joyous portrait of an unformed personality that should strike chords of recognition in all who watch it.

It might be too heady a brew for some, especially those whose appreciation of tennis is limited to strawberries and cream. On the acting front, though, it’s a virtual grand slam, Zendaya, Faist, and particularly O’Connor fine-tuning their characters’ 13-year romantic imbroglio into a lusty love match for the ages.

Squeezing every drop of tension from wet-ink recent history, Phillips only falters when making its protagonists mouthpieces in a broader geopolitical debate. Otherwise, it’s full steam ahead to the Oscars.

Guileless performances, understated direction and bucolic Belgian scenery combine to create a quiet gem of a film.

Portman’s Oscar-worthy work crowns an unconventional study of an icon, while Mica Levi’s score is sublime.

The results – achieved through small cameras clipped to nets, masts and the crew – will hook some and induce seasickness in others.

“We have to find a product that’s appealing to people!” says Garcia Bernal at one point. And that’s just what Larraín’s created with this Latin spin on "Mad Men."

The Daniel Craig era comes of age with a ballsy Bond that takes brave chances and bold risks. Guess what? Turns out you can teach an old dog new tricks.

An all-too-familiar story is told with empathy and vigour in a film arguing for tolerance, activism and change.