Molly Freeman

The High Note is an enjoyable, if not particularly inventive, rom-com that's more infatuated with the music industry than developing its romance.

Those looking for classic Scooby-Doo or anything more than superficial entertainment can skip Scoob! - even with the dearth of new movies.

The Half of It puts a queer YA spin on a classic romance story, but Wu makes it her own - delivering a charming, sweet and altogether heartfelt movie.

The Willoughbys is a mishmash of story ideas strung together by the idea of found family, but it's cute and quirky enough to keep viewers hooked.

Love Wedding Repeat is too cringey to be any fun and fails to deliver on its premise of multiple alternate timelines.

Disney's Stargirl is a mediocre teen movie about individuality and growing up, lacking the magic to make this manic pixie dream girl story work.

Bloodshot puts a surprisingly clever spin on the superhero origin story that's fun and funny, but Diesel's performance ultimately leaves it lacking.

Thanks in large part to Moss's performance, The Invisible Man becomes a fascinating dive into a survivor's psyche wrapped up in a compelling and truly scary horror movie.

Onward is a good, but not great Pixar movie, with a heartfelt, if emotionally manipulative storyline, and plenty of film magic to propel it forward.

Moviegoers looking for something romantic and entertaining to catch on Valentine's Day weekend (or even later on in February) won't go wrong with The Photograph.

Sonic the Hedgehog is a fairly middling family-friendly adventure movie, but a comparably good video game adaptation the belies a great deal of potential for a stronger, even more ambitious sequel.

Olympic Dreams' backstage look at the 2018 Olympics is much more compelling than the movie's bland and contrived romantic comedy storyline.

Much like its main character, To All the Boys: P.S. I Still Love You is so sweetly, openly earnest in its love of love that it transcends cheesiness and gives viewers permission to indulge in unabashed intimacy and romance for its entire one hour and 40-minute runtime.

With a wicked sense of humor and exhilarating action, Birds of Prey is fierce, fun and a total blast - and an empowering girl power superhero romp.

The Rhythm Section is wonderfully acted by Blake Lively and immersively directed by Reed Morano, creating a tense and mostly engaging thriller.

For those that persevere, there is an entertaining gangster film at the heart of The Gentlemen. There's a frenetic energy to Ritchie's movie that comes in part from his directing style, and part from the cast's clear enjoyment of bringing the film to life.

It's fun enough to keep audiences mostly entertained for its hour and 45 minute runtime, but there's nothing particularly memorable to latch onto - not the CGI animals, not the fantasy world and not even Downey Jr's performance.

There's a real sweetness at the center of the film, but Like A Boss surrounds that heart with middling raunch comedy.

Altogether Underwater is a middling movie that spans multiple genres, from sci-fi and thriller to action and horror, and can't seem to focus on any specific one.

Greta Gerwig's Little Women weaves a stunningly heartfelt and achingly honest coming of age story with excellent performances from its entire cast.