Molly Freeman

Soul isn't Pixar's finest or most resonant film, but its beautiful animation and soundtrack, paired with fun characters make for an enjoyable watch.

The New Mutants tries to offer a compelling blend of teen drama, horror and X-Men mythos, but ultimately fails to deliver a good entry in any genre.

Happiest Season is a cheesy, fun and heartfelt romantic comedy, with a sweetly genuine queer love story at the center of this holiday tale.

The Craft: Legacy excels when reveling in its girl power witchcraft, but falls apart in the third act without a well-developed villain.

After We Collided is riddled with cliches and tired young adult tropes, but its dramatic romance and laughable dialogue offers some escapist fun.

An explosion of wonder, color and magic, Over the Moon tells a beautifully sentimental story of family and love, with super catchy songs mixed in.

At its core, The Kid Detective is also just a plain, entertaining mystery - that has a satisfying conclusion both for the case itself and Abe's journey. Anyone interested in the premise or in Brody's performance would do well with giving The Kid Detective a watch.

Love and Monsters may not be a wholly fresh concept, but a clever script and Dylan O'Brien's charm make for a super fun adventure comedy.

More Millennial introspection than sci-fi movie, what Save Yourselves! lacks in world-building, it makes up for with charming relatable comedy.

Bloody, fun and achingly heartfelt, Spontaneous presents a clever and original story about life, love and how suddenly things can change.

Secret Society of Second-Born Royals is pure family-friendly fun, combining princesses and superheroes for a delightful, if unoriginal, adventure.

Enola Holmes is a little overwrought, but Millie Bobby Brown's charming heroine and Henry Cavill's fun Sherlock pull off all the twists and turns.

The Devil All the Time is a slow, sprawling thriller, unfurling with creeping tension, but the cast's performances are more rewarding than the story.

The Babysitter: Killer Queen is junk food entertainment at its most mediocre, delivering barely enough blood and fun without anything truly memorable.

Unpregnant delivers a fun and entertaining road trip comedy about female friendship and abortion, with compelling performances from its two leads.

The Broken Hearts Gallery is overflowing with charm and personality, making it exactly the kind of fun, feel-good romantic comedy needed right now.

Mulan is a perfectly fine live-action adaptation, delivering some Disney magic and gorgeous visuals, but it's ultimately just an average action movie.

The Binge is as ridiculous as its premise implies, which can be fun at times, while others it's a bit like a wild ride you wish you could get off.

Words on Bathroom Walls deftly balances being part romcom and part mental illness drama, offering a uniquely compelling coming-of-age story.

The One and Only Ivan has a good heart at the center of this mediocre animal tale, which never quite delivers on the requisite Disney magic.

The Silencing is a decently exhilarating thriller movie, even if the twists in the story aren't always well-earned or well thought out.

Netflix's Work It is bogged down by its trite and wholly unoriginal underdog story, but its charismatic young leads help the movie limp to the end.

The Kissing Booth 2 has some fun moments, especially for fans, but is ultimately an overwrought, overstuffed and overlong teen romcom sequel.

Yes, God, Yes is an achingly honest and entertaining-as-hell journey through one teen's burgeoning sexuality and personal reckoning with Catholicism.

Along with a sharp sense of humor and compelling performances, Palm Springs delivers an absolutely charming rom-com with a fun sci-fi twist.

The Hamilton filmed stage production is a stunning showcase of one of Broadway's biggest hits, maintaining all the heart and energy of the musical.

What The Old Guard lacks in well-paced, tightly plotted story, it more than makes up for with compelling characters and slick, thrilling fight scenes.

In Eurovision Song Contest: The Story of Fire Saga, Ferrell's typical schtick is on full display, but wears incredibly thin in this overlong comedy.