Molly Freeman

The Hamilton filmed stage production is a stunning showcase of one of Broadway's biggest hits, maintaining all the heart and energy of the musical.

Spider-Man: Across the Spider-Verse is phenomenal from start to finish, raising the stakes, emotion and heart with beautiful artistic animation.

With energetic and thrilling action, Snake Eyes is a fun summer blockbuster, even if the movie's haphazard franchise setup leaves much to be desired.

Soul isn't Pixar's finest or most resonant film, but its beautiful animation and soundtrack, paired with fun characters make for an enjoyable watch.

Along with a sharp sense of humor and compelling performances, Palm Springs delivers an absolutely charming rom-com with a fun sci-fi twist.

The Mitchells vs. the Machines is a charming blend of heartfelt family connection with a wildly fun action comedy twist in its robot apocalypse.

The Flash is a passable multiverse superhero movie, but no amount of DC cameos can make audiences forget the awful off-screen actions of Ezra Miller.

Bloody, fun and achingly heartfelt, Spontaneous presents a clever and original story about life, love and how suddenly things can change.

The Rhythm Section is wonderfully acted by Blake Lively and immersively directed by Reed Morano, creating a tense and mostly engaging thriller.

The Bob's Burgers Movie struggles to keep up the energetic pace set early on, but overall packs in plenty of jokes and musical numbers for a fun time.

It's certainly a good family-friendly movie for viewers young and old, but those who have enjoyed Disney Animation's offerings in recent years will find plenty to enjoy. With richly detailed animation, exciting action and a compelling story about trust, Raya and the Last Dragon has all the makings of a modern Disney classic.

At its core, The Kid Detective is also just a plain, entertaining mystery - that has a satisfying conclusion both for the case itself and Abe's journey. Anyone interested in the premise or in Brody's performance would do well with giving The Kid Detective a watch.

The Half of It puts a queer YA spin on a classic romance story, but Wu makes it her own - delivering a charming, sweet and altogether heartfelt movie.

Zootopia 2 is just as strong as its predecessor. It manages to expand the world in exciting ways, tell another compelling story with its main characters and recapture the magic of Zootopia.

Promising Young Woman is a wildly thrilling revenge story, taking an unflinching look at rape culture, but errs more pessimistic than triumphant.

It's the kind of filmmaking that rewards returning fans while being accessible to new or casual viewers. As a result, The Suicide Squad is a delicious, deviant and delightful watch for everyone.

Thanks in large part to Moss's performance, The Invisible Man becomes a fascinating dive into a survivor's psyche wrapped up in a compelling and truly scary horror movie.

Onward is a good, but not great Pixar movie, with a heartfelt, if emotionally manipulative storyline, and plenty of film magic to propel it forward.

Yes, God, Yes is an achingly honest and entertaining-as-hell journey through one teen's burgeoning sexuality and personal reckoning with Catholicism.

What The Old Guard lacks in well-paced, tightly plotted story, it more than makes up for with compelling characters and slick, thrilling fight scenes.

Song has a particular knack for telling stories that break down the walls around our hearts and leave us aching in the best way possible.

Happiest Season is a cheesy, fun and heartfelt romantic comedy, with a sweetly genuine queer love story at the center of this holiday tale.

Thunderbolts* deftly tackles mental health and serves as a fantastic MCU movie, with great performances from Florence Pugh and Lewis Pullman.

The Willoughbys is a mishmash of story ideas strung together by the idea of found family, but it's cute and quirky enough to keep viewers hooked.

Enola Holmes is a little overwrought, but Millie Bobby Brown's charming heroine and Henry Cavill's fun Sherlock pull off all the twists and turns.

Ultimately, Deadpool & Wolverine is a movie made to be a crowd-pleaser, and it succeeds in that respect. It puts the Marvel multiverse to work, using the concept in smart, economical ways to include references that run the gamut. It may not work for everyone, but after a few multiverse disappointments, Deadpool & Wolverine far exceeded my expectations.

Fear Street Part 3: 1666 wraps up the horror trilogy's story in a satisfying conclusion that's finally less homage and more its own original slasher.

James Gunn's Superman movie launches the DC Universe in spectacular fashion, with a fun-filled romp that requires refreshingly little homework.