Mike Ryan

The best thing about this documentary is that every singe member of The Go-Go’s is in “no fucks” mode. They are all at an age where they are going to be open and honest about what happened and not sugarcoat the details.

Glass Onion is just a great time watching a movie. It’s a rare movie (especially at a film festival where I have places I have to be) in which I wished it were longer. I would have gladly spent more time with these characters, played by actors who are all obviously having a wonderful time. I already miss them. Make more movies like this. What fun.

A lot of Mission: Impossible movies have a lot of exposition and can be complicated. Brian de Palma’s first movie (still my personal favorite, with Fallout a close second) is pretty complicated! But a terrific finale can cure all of that. And Dead Reckoning Part One has a really great sequence on a train to close the movie out.

If you have kids, they will probably love this because it’s very colorful … and even I found myself mesmerized by how colorful it is. A cornucopia of colors! (I guess that’s my pull quote.)

Ford v Ferrari is almost as much about having to navigate having multiple bosses at a large corporation as it is winning a car race.

Don’t go into Western Stars expecting to see The Boss. That guy is on a break. What we get instead is Bruce Springsteen, a human being who seems a lot less sure of himself than The Boss ever did. Springsteen’s book gave us some details, but Western Stars looks straight into his soul.

This feels like the definitive Flash movie.

This is a film that has such a strong first act, but then a head-scratcher of a second that left me actively disliking what I was watching in front of me, then an almost out-of-the-blue third act that ultimately won me back over.

It’s a movie about hidden family secrets, with a comical amount of twists, and it plays more as melodramatic schlock. And I just happened to really be in the mood for melodramatic schlock.

It feels like a movie that could have easily come out in 2006 as opposed to now, which is what makes Incredibles 2 so fun. It doesn’t belong to a time, so ten years from now both of these installments will just seem like they’ve always just kind of been here. Incredibles 2 will now take its rightful place alongside the first film in the “family canon.”

Here are the last eight months all laid out for us, and it’s infuriating.

Honestly, I’m kind of in awe of Barbie and I would love to read the meeting notes of every conversation Gerwig had with someone at Mattel.

If you do open yourself up, there’s something wonderful to find in this movie. You won’t watch A Beautiful Day in the Neighborhood and learn more about Fred Rogers, but you will learn more about yourself. And it might not be easy, but, again, as Mister Rogers would say, “and that’s okay.”

It’s an admirable effort. It’s just a beautiful thing to look at. And the whole endeavor is such a touching tribute from Fincher to his father. But, in the end, I found myself more interested in the behind the scenes shenanigans that led to the creation of, perhaps, the greatest movie of all time, as opposed to Mank the human being. And Mank focuses much more on the latter.

Dune: Part Two is certainly up there with some of the best science fiction movies I’ve ever seen.

This is how “blockbuster” movies should be done.

So if this is it for John Wick, Chapter 4, improbably, goes out as easily the best of the series and a contender for one of the best pure action movies in recent history if not ever made. It’s so good I really kind of hope they end on this. I truly don’t think it can be topped.

Avengers: Endgame is, without a doubt, the most confusing and convoluted of any of the Marvel Cinematic Universe films, yet it’s also unbelievably satisfying – and, yes, does act as an endpoint for many major character arcs.

The Sisters Brothers is a much more introspective movie than it leads on to be, but isn’t that surprising when you factor in that it’s directed by Jacques Audiard, making his first film in English.

No matter how bizarre Sorry to Bother You becomes (and it goes in some very strange directions), it doesn’t entirely lose its focus.

We basically just get our orders and go. But I get the sense this is Mendes’ point. His goal is to put us in World War I for two hours. And, no, it’s not a pleasant experience. But what the movie is trying to do absolutely works. 1917 wants to take us to hell and back, and, in that, it succeeds.

With Nope [Peele's] proven he knows how to make an unbelievably entertaining summer alien movie that can draw the masses … while at the same time warn people about the nature and danger of spectacle.

Since theaters basically ceased to exist, there’s been a few movies I’ve watched screeners at home and have really, really enjoyed. But this is the first that made me feel like I was back in a theater. This felt like a real event. That I got those chills down the back as I watched something I’m just loving for the first time of what will be many times.

This is a film that’s hilarious, sad, and for some reason features an entire montage set to Dolly Parton’s “9 to 5.”

There’s a sense of personality and life in the Turtles in Mutant Mayhem that the other movies just seem to try and force.

What makes Lisa D’Apolito’s Love, Gilda special is that D’Apolito has a secret weapon: Gilda Radner herself.

Thor: Ragnarok is by far the most unusual of the Marvel movies – a crazy, colorful, ambitious, hilarious ride through the cosmos – even surpassing the Guardians of the Galaxy movies as the former holder of that title. And it’s by far the funniest.

On the Rocks is light on plot, but makes up for it with just the sheer joy of Murray and Jones out on the town. The actual plot is only there as an excuse to get the ball rolling for those two.