Megan Lehmann
Select another critic »For 329 reviews, this critic has graded:
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43% higher than the average critic
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3% same as the average critic
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54% lower than the average critic
On average, this critic grades 10.9 points lower than other critics.
(0-100 point scale)
Megan Lehmann's Scores
- Movies
- TV
| Average review score: | 55 | |
|---|---|---|
| Highest review score: | Holy Motors | |
| Lowest review score: | The Cookout | |
Score distribution:
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Positive: 160 out of 329
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Mixed: 72 out of 329
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Negative: 97 out of 329
329
movie
reviews
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- Megan Lehmann
Despite its shock value, Thirteen rises above dysfunctional-family-drama cliches, thanks to the truthfulness of its script and the keen eye of a sympathetic director.- New York Post
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- New York Post
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- Megan Lehmann
Purists will probably have a conniption at the mere idea of messing with the form, but the worst thing about Jacquot's post-modern treatment is that its incongruity wrenches you out of the story.- New York Post
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- Megan Lehmann
This modest little film out of Africa suffers from largely rudderless direction, relying for any sense of profundity on the breathtaking beauty of Abraham Haile Biru's cinematography.- New York Post
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- Megan Lehmann
Clarkson, the reigning queen of the indies, is simultaneously funny and heartbreaking, following up killer performances in "The Station Agent" and "All the Real Girls."- New York Post
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- Megan Lehmann
Kicks off as a cheap piece of retro schlock and quickly devolves into a putrid bloodbath with a thin narrative made utterly indecipherable by the first-time director's clueless approach to filmmaking.- New York Post
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- Megan Lehmann
Infused with the hazy golden glow of nostalgia and unfolds at a leisurely pace, reminiscent of "The Virgin Suicides."- New York Post
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- Megan Lehmann
Cadigan is honest enough to leave in a disturbing scene in which he talks about the "violent imagery" in his head and fantasizes about using a kitchen knife on his mother, before breaking down in tears. It's raw stuff.- New York Post
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- Megan Lehmann
This is what IMAX was made for: Strap on a pair of 3-D goggles, shut out the real world, and take a vicarious voyage to the last frontier -- space.- New York Post
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- Megan Lehmann
If you give yourself over to it, this romantic tale of a liberating one-night stand proves oddly seductive and generates a warm afterglow.- New York Post
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- Megan Lehmann
Paints a picture of a young man enamored of his own image. His enormous success turned the ever-cocky Gator egomaniacal -- and abusive.- New York Post
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- Megan Lehmann
An amusing side dish to the sober political documentaries flooding the art houses, The Yes Men effectively uses high farce to mock the status quo as a way of questioning it.- New York Post
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- New York Post
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- Megan Lehmann
The feel-good finale -- an ending even less in doubt than that of the most predictable Hollywood fare -- is as rousing as you'd hope and the fast-paced, on-ice action is satisfyingly authentic.- New York Post
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- Megan Lehmann
Presumably, Deville wants to show life returning to normal after WWII, but in the context of this inert movie, "normal" equals "tedious."- New York Post
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- New York Post
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- New York Post
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- Megan Lehmann
A fanciful little indie brimming with emo music and curious little vignettes, marks a self-conscious but very promising debut for "Scrubs" star Zach Braff.- New York Post
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- Megan Lehmann
A worthy addition to the cinematic canon, which, at last count, numbered 52 different versions.- New York Post
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- Megan Lehmann
Paints a vivid portrait of a compelling young man but, perhaps inevitably, goes overboard on the deification.- New York Post
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- Megan Lehmann
Keaton's overamped girlishness, and the adolescent shenanigans she engages in, make a mockery of this overlong romantic comedy's stance as a celebration of mature love.- New York Post
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- Megan Lehmann
Big crashes, lithe women and roiling testosterone, not to mention the addition of The Rock as a fire-and-brimstone federal agent – there's plenty to pull in the (mostly) young male audience.- The Hollywood Reporter
- Posted Apr 23, 2011
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- Megan Lehmann
If it weren't for the estrogen-fueled action scenes -- choreographed by director Cory Yuen with wit and style -- So Close would be as disposable as the shampoo ad it all too often resembles.- New York Post
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- Megan Lehmann
Its "I see dead people" premise is shopworn, but Hong Kong brothers Oxide and Danny Pang manage to deliver real skin-prickling jolts with their minimalist horror film.- New York Post
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- Megan Lehmann
An energetic, feel-good blend of comedy, romance and benign drama -- with a side dish of social commentary -- that works despite its strict adherence to the culture clash/generation gap formula.- New York Post
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- Megan Lehmann
The concert footage is stirring, the recording sessions are intriguing, and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers.- New York Post
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- Megan Lehmann
At once, a joyful celebration of female friendship and an unusually honest look at newly responsible young women wistfully saying goodbye to the dreams of their youth.- New York Post
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- Megan Lehmann
If you like your language blue and your humor coarse, Margaret Cho is for you.- New York Post
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- Megan Lehmann
Ferrell's manic, overgrown-kid energy sweeps all before it, announcing him - after his standout turn in "Old School" - as a major leading-man talent who can charm as well as amuse.- New York Post
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- Megan Lehmann
Indie hipster Jarmusch's distinctive brand of effortless cool and quirky humor percolate through each of 11 vignettes, all shot fairly statically in crisp, aesthetically pleasing black and white.- New York Post
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