Megan Lehmann
Select another critic »For 329 reviews, this critic has graded:
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43% higher than the average critic
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3% same as the average critic
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54% lower than the average critic
On average, this critic grades 10.9 points lower than other critics.
(0-100 point scale)
Megan Lehmann's Scores
- Movies
- TV
| Average review score: | 55 | |
|---|---|---|
| Highest review score: | Holy Motors | |
| Lowest review score: | The Cookout | |
Score distribution:
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Positive: 160 out of 329
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Mixed: 72 out of 329
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Negative: 97 out of 329
329
movie
reviews
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- Megan Lehmann
The strapping Damon's lived-in performance makes us happy to follow Bourne wherever he may go.- New York Post
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- Megan Lehmann
Tries to be many things -- romantic comedy, mockumentary, a satire on beauty and aging -- but ends up succeeding at none.- New York Post
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- New York Post
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- Megan Lehmann
Delivers its provocative message in the measured tones of a college professor -- yet there's no danger of falling asleep in this lecture.- New York Post
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- New York Post
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- Megan Lehmann
For a movie that's trumpeted as providing a probing look beyond the comic's onstage patter, there's an awful lot of onstage patter -- and what nasty, hateful stuff it is.- New York Post
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- Megan Lehmann
Campbell is a sweet presence and a capable dancer, featured in a theatrical pas de deux on an open-air stage during a wild thunderstorm that is one of the film's visual highlights.- New York Post
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- Megan Lehmann
This slow-moving Swedish film offers not even a hint of joy, preferring to focus on the humiliation of Martin as he defecates in bed and urinates on the plants at his own birthday party.- New York Post
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- New York Post
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- Megan Lehmann
Leigh's uncanny ability to mine emotional truth packs the usual punch. And the trademark flashes of humor sprinkled throughout ease the bleakness of the landscape.- New York Post
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- Megan Lehmann
Doesn't have the polish of "Ocean's Eleven" - but it does have George Clooney.- New York Post
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- Megan Lehmann
This furious finger-pointer's doc is so one-sided, it undermines its own integrity.- New York Post
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- Megan Lehmann
A pleasantly diverting period romp that Annette Bening turns into a wickedly funny tour de force.- New York Post
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- Megan Lehmann
It's a hushed work of restrained emotions, elliptical storytelling and spare dialogue, peopled with smart, authentic characters who have drawn you into their lives before you know it.- New York Post
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- Megan Lehmann
The plot is thin as consomme, and the thudding score is distracting, but the heartfelt storytelling and Michael Bertl's disarming cinematography make this a food film to savor.- New York Post
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- Megan Lehmann
Corcuera's unflinching documentary Back of the World is a real-life horror story told in three parts.- New York Post
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- New York Post
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- Megan Lehmann
There's nothing particularly startling or new in the script by Siegel and his co-writers Lisa Bazadona and Grace Woodard - except that it, refreshingly, draws its characters in real-life shades of gray.- New York Post
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- Megan Lehmann
A leisurely, scene-setting start, peppered with authentic banter and winning localized humor, fleshes out the characters in Manito so well you feel as if you live alongside them.- New York Post
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- New York Post
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- New York Post
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- Megan Lehmann
Hilariously overblown, "Cruelty" fairly pops at the seams with the beloved eccentricity of Joel and Ethan Coen, from the fiendishly ludicrous scenarios and casually tossed off visual gags to the razor-sharp repartee.- New York Post
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- Megan Lehmann
Dialogue is sparse in this leisurely paced chase; instead, the bluesy vocals of indigenous singer Archie Roach -- singing de Heer's lyrics -- are layered over the action as a kind of musical narration.- New York Post
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- Megan Lehmann
Less of a "You go, girl" manifesto than its title would suggest.- New York Post
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- Megan Lehmann
The script is so overstuffed with painfully obvious clues (the constant patina of sweat on the cocky doctor's face, for one) that we don't need the ominous rumbles on the soundtrack to tell us where we're headed.- New York Post
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- Megan Lehmann
Some of the visual flourishes are a little too obvious, but restrained and subtle storytelling, and fine performances make this delicate coming-of-age tale a treat.- New York Post
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- Megan Lehmann
Along with co-writer Emmanuele Bernhein, Ozon...has crafted a contemplative blend of fantasy and reality that illuminates the mysteries of the creative process.- New York Post
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- Megan Lehmann
Succinct yet detailed storytelling, evocative cinematography (by Ellen Kuras) and arresting central performances add up to a trio of engaging character portraits.- New York Post
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- Megan Lehmann
It manages to be both kinetic and dream-like at the same time -- "Run Lola Run" by way of David Lynch.- New York Post
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- New York Post
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