Matthew Leyland
Select another critic »For 23 reviews, this critic has graded:
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69% higher than the average critic
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0% same as the average critic
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31% lower than the average critic
On average, this critic grades 3 points lower than other critics.
(0-100 point scale)
Matthew Leyland's Scores
- Movies
- TV
| Average review score: | 63 | |
|---|---|---|
| Highest review score: | Days of Heaven | |
| Lowest review score: | Baywatch | |
Score distribution:
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Positive: 8 out of 23
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Mixed: 13 out of 23
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Negative: 2 out of 23
23
movie
reviews
- By Date
- By Critic Score
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- Matthew Leyland
Sofia, so good. Coppola takes Manhattan with a breezy, beautifully observed daddy-daughter portrait.- Total Film
- Posted Oct 2, 2020
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- Matthew Leyland
A huge, CGI-heavy popcorner that still feels personal. Come for the epic monster-on-mecha showdowns, stay for the likeable humans.- Total Film
- Posted Jul 8, 2013
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- Matthew Leyland
A bracing attempt to bring the legend back into contention that successfully separates itself from other Super-movies but misses some of their warmth and charm. But given the craft and class, this could be the start of something special- Total Film
- Posted Jun 10, 2013
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- Matthew Leyland
Mostly, this is fantastic fun: a two-hours-plus blockbuster that doesn’t bog down in exposition or sag in the middle. There are reversals and rug-pulls galore, most of them executed with whiplash skill.- Total Film
- Posted Apr 26, 2013
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- Matthew Leyland
Charming, spectacular, technically audacious… in short, everything you expect from a Peter Jackson movie. A feeling of familiarity does take hold in places, but this is an epically entertaining first course.- Total Film
- Posted Dec 5, 2012
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- Matthew Leyland
A smart, stirring spectacle that faces down impossible expectations to pull off a hugely satisfying end to business.- Total Film
- Posted Jul 16, 2012
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- Matthew Leyland
What's remarkable is the lack of cheese. Tacky effects, corny dialogue and creaky performances are all shown the door. We repeat: not the new "Twilight".- Total Film
- Posted Mar 16, 2012
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- Matthew Leyland
Largely lensed in the window between sunset and nightfall, it’s a magic-hour masterpiece. [26 Aug. 2011]- Total Film
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