Matt Maytum

Sharp social commentary and slick genre trappings make for thought-provoking entertainment, even if it never entirely hooks you.

An intriguing concept is executed frustratingly poorly. On the Shyamalan spectrum, it’s more The Happening than Unbreakable.

Natasha Romanoff’s long overdue solo movie delivers action and emotion in a rousing addendum to Scar-Jo’s stellar MCU story.

As much as Oygen pulls you along in the moment, it doesn’t leave you with anything that’ll particularly linger.

The Mitchells Vs. The Machines is as irreverently funny as 21 Jump Street and The Lego Movie. And, like Spider-Verse, it has a unique visual style that rewards close inspection.

A small film that hits big, Sound Of Metal is a gem you’ll want to bang the drum for.

Coming 2 America has arrived at just the right time: its eminent watchability and pleasing lack of drama (things never get too dangerous or dicey) mean it should go down well as a cheering antidote to stressful times. But it's hard to imagine anyone opting to watch it over the original in years to come. Ultimately, it’s more fawning subject than rightful heir.

A spirited and likeable Christmas musical that boasts terrific songs and looks the part, Jingle Jangle covers a threadbare story with just enough tinsel.

Robert Pattinson delivers another film-stealing supporting turn.

Pete Davidson lacks the charm to make an insufferable protagonist likeable.

A bold, entertaining riot that captures the manic energy of its lead character and ushers in a gang you’ll want to join.

Sam Mendes audacious WW1 epic is a sensational technical achievement, grounded by George MacKay’s gritty intensity.

A solid sequel that hits the right notes and entertains without ever being quite as satisfying or essential as the original.

A so-so Christmas romance undercut by some baffling choices, musically and narratively. A wasted opportunity.

An uninspired and unnecessary sequel that won’t leave you spellbound. There’s neither enough Maleficent or genuine magic to make it worth a revisit.

Two immensely enjoyable central performances and some of the best race sequences yet filmed fuel an otherwise standard sports movie.

Daniel Craig is on fine form leading a killer cast in Rian Johnson’s boisterously enjoyable murder mystery. All the evidence points to a winner.

A fleet-footed and boisterously enjoyable Dickens adaptation that breathes new life into a well-worn story. A winning Dev Patel leads a highly amusing cast.

The ’toon still rules when it comes to heart, but this shot-for-shot remake is an impressively mounted, visually breathtaking nostalgia rush.

Midsommar features a standout performance from Florence Pugh and an expertly assembled atmosphere of dread, even if its lacks the propulsion and all-consuming terror of Hereditary.

About as funny and charming as superhero movies get. Expect it to make household names out of its title character and leading man.

A satisfying standalone launch for Marvel’s latest superhero combines sci-fi action with ’90s nostalgia. Overcoming minor stumbles, it ultimately soars.

Impressive VFX and bursts of action can’t mask the fact that this is a tonally confused start for a sci-fi franchise hopeful, made up of scrap parts you’ve seen put to better use elsewhere.

Shyamalan concludes his secret trilogy with a film easier to admire than love. McAvoy is terrific again, but Glass doesn’t quite live up to the lofty heights of Unbreakable and Split.

A joyful, trippy new incarnation of Spider-Man that you didn’t know you needed, brimming with wit, soul and jaw-dropping visuals.

A so-so sequel enlivened by a few inspired moments. Ralph and Vanellope are still good company, but this concept might have worked better as a series of shorts.

Paul Feig makes a slight gear change for a slick thriller that’s best enjoyed with a martini in hand.

The latest Halloween installment is fun while it lasts, but unlike its predecessor, it’s not a classic for the ages.