Marrit Ingman

Select another critic »
For 253 reviews, this critic has graded:
  • 35% higher than the average critic
  • 1% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 11.7 points lower than other critics. (0-100 point scale)

Marrit Ingman's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 89 March of the Penguins
Lowest review score: 0 Garfield
Score distribution:
  1. Negative: 43 out of 253
253 movie reviews
    • 48 Metascore
    • 40 Marrit Ingman
    Sweet enough while it lasts.
    • 48 Metascore
    • 30 Marrit Ingman
    This could be a pilot for the WB. Hollywood choreographer Fletcher makes the jump behind the camera but displays a greater aplomb for staging than drama, and the movie is as fleeting as the last weekend of summer.
    • 48 Metascore
    • 67 Marrit Ingman
    It's the most honest, refreshing comedy about love – gay, straight, or both – I've seen in many moons, and at the end everyone's problems are solved by a country-western dance battle with drag doyenne Jackie Beat on the mic.
    • 47 Metascore
    • 50 Marrit Ingman
    Deschanel, as the token oddball of the gang, runs off with the movie.
    • 47 Metascore
    • 30 Marrit Ingman
    The filmmakers assume familiarity with the show's documentary premise and in-jokes (e.g., deputy Garant giving all his commands in French), which will make the movie even less accessible to novices.
    • 47 Metascore
    • 78 Marrit Ingman
    If the film had allowed them to fall in love in real time, instead of to the drumbeat of history, their relationship would seem immeasurably more nuanced.
    • 47 Metascore
    • 40 Marrit Ingman
    Sort of annoying, and it doesn't do what you want it to do, but you know, it's so scrappy and persistent that it seems kind of cute in spite of itself.
    • 36 Metascore
    • 40 Marrit Ingman
    Like a lot of sports movies, this biopic about boxing promoter Jackie Kallen is better than it has to be but not as good as it ought to be.
    • 46 Metascore
    • 40 Marrit Ingman
    Tamyra, Tamyra, Tamyra. I didn't recognize you at first!
    • 46 Metascore
    • 50 Marrit Ingman
    Everybody’s sleepwalking here. Vincent D'Onofrio is fantastic with Vaughn in a small part as his brother, but it's as if he’s running in during a break from "Law & Order: Criminal Intent."
    • 45 Metascore
    • 50 Marrit Ingman
    Its characterizations are as bland as sand.
    • 45 Metascore
    • 50 Marrit Ingman
    It starts off with a slick split-screen bang, but this high tech heist thriller is like a For Dummies guide to the genre.
    • 45 Metascore
    • 40 Marrit Ingman
    This family melodrama is as subtle as a load of bricks and occasionally as painful, but it offers two of the most finely tuned acting performances yet this year.
    • 45 Metascore
    • 40 Marrit Ingman
    The end of the film edges toward camp, and the sudden arrival of surreal dream sequences threatens to push it over the side. The movie is more sophisticated when it’s not trying to be complex.
    • 45 Metascore
    • 40 Marrit Ingman
    Maybe America will prove me wrong by voting, but I felt like you were holding back until the end.
    • 45 Metascore
    • 40 Marrit Ingman
    Half the time the movie wants to be balls-out weird, and it is. But the other half – the half with the good guys – is plodding procedural fare.
    • 44 Metascore
    • 67 Marrit Ingman
    An indie grab bag.
    • 44 Metascore
    • 40 Marrit Ingman
    There's nothing terribly wrong with Kate & Leopold -- it's just an awfully conventional upmarket romantic comedy.
    • 44 Metascore
    • 40 Marrit Ingman
    There is great material here and ample food for thought, but the presentation is lacking.
    • 44 Metascore
    • 40 Marrit Ingman
    Schepisi underscores each emotional note by pulling the camera away from his actors and pointing it at family photographs, a saccharine conceit that becomes more irritating each time it appears.
    • 44 Metascore
    • 50 Marrit Ingman
    Final verdict: Cast is excellent; movie is OK; men and women are soooo different.
    • 43 Metascore
    • 40 Marrit Ingman
    Perhaps the lesson to be learned is that just because we CAN use computer technology to give dogs goofy faces, that doesn’t mean we SHOULD.
    • 43 Metascore
    • 50 Marrit Ingman
    It works best as a spank-it movie you don’t have to feel guilty about and that you can dance to. And there’s nothing wrong with that.
    • 43 Metascore
    • 67 Marrit Ingman
    Worth a look.
    • 42 Metascore
    • 30 Marrit Ingman
    The worst thing about Bounce isn't that it's bad but that it just isn't interesting.
    • 42 Metascore
    • 40 Marrit Ingman
    A holiday film Joe Lieberman could love, unembarrassed by its wholesome, sugary pro-family message.
    • 42 Metascore
    • 50 Marrit Ingman
    It points a determined finger (a middle finger, almost) at law enforcement, which cannot or will not recognize kidnapping victims in our midst, especially if they are undocumented and brown-skinned.
    • 42 Metascore
    • 30 Marrit Ingman
    This pseudo-Phildickian actioner is chum for the bigger fish to come this summer; for Moore, it's a slummer.
    • 41 Metascore
    • 50 Marrit Ingman
    For venturesome viewers, Jailbait would make a potent late-summer palate cleanser in preparation for festival season, even if you wouldn't make a meal of it.
    • 41 Metascore
    • 0 Marrit Ingman
    Cody Banks would probably be appropriate for the 13-and-older crowd, but it’s far too dopey for teenage sophisticates.

Top Trailers