Marrit Ingman
Select another critic »For 253 reviews, this critic has graded:
-
35% higher than the average critic
-
1% same as the average critic
-
64% lower than the average critic
On average, this critic grades 11.7 points lower than other critics.
(0-100 point scale)
Marrit Ingman's Scores
- Movies
- TV
| Average review score: | 54 | |
|---|---|---|
| Highest review score: | March of the Penguins | |
| Lowest review score: | Garfield | |
Score distribution:
-
Positive: 113 out of 253
-
Mixed: 97 out of 253
-
Negative: 43 out of 253
253
movie
reviews
-
- Marrit Ingman
Ruffalo makes a dent as a dogged narcotics detective, and the Spanish superstar Javier Bardem appears as a crime boss. Overall, however, Mann seems content to play games with his fast cars, cool streets, and loud rock, leaving Collateral squarely within the action genre.- Austin Chronicle
- Read full review
-
- Marrit Ingman
The film has lovely moments – Gehry buildings can be extremely photogenic, after all – but it doesn't sink its teeth in the way it probably should.- Austin Chronicle
- Read full review
-
- Marrit Ingman
The action set-pieces, double crosses, and narrow escapes are handsomely mounted and suspenseful as a Saturday matinee.- Austin Chronicle
- Read full review
-
- Marrit Ingman
The film’s light hand, appealing style, and simple exposition make it an eminently watchable inquiry into the politics of food and public health, accessible to the documentary-shy and wildly appropriate for older kids, who may further respond to its generational emphasis.- Austin Chronicle
- Read full review
-
- Marrit Ingman
The House of Sand is a more transparently ambitious, prestigious "woman's picture" than Waddington's previous feature, 2000's "Me You Them."- Austin Chronicle
- Read full review
-
- Marrit Ingman
The movie isn't perfect – Spielberg-slick, its power is sometimes dampened by melodrama that overstates its message – but it is compelling and thought-provoking and topical as hell.- Austin Chronicle
- Read full review
-
- Marrit Ingman
Made by teachers for teachers, this local indie – which now sports the imprimatur of executive producer Morgan Spurlock – offers no easy answers to its statistic that 50% of teachers quit within their first three years on the job.- Austin Chronicle
- Read full review
-
- Marrit Ingman
If Tears is indeed too weird to take America by storm – Miramax bought the film after Cannes and shelved it until it is now being released by Magnolia – it should neither be considered a cult item, approachable only to film nerds (though they will appreciate it best).- Austin Chronicle
- Read full review
-
- Austin Chronicle
- Read full review
-
- Marrit Ingman
This a deeply humane and affecting movie, surprisingly gentle in spite of its black-comic tinge, and without the slightest hint of schmaltz.- Austin Chronicle
- Read full review
-
- Marrit Ingman
The movie's quirk isn't forced; it sincerely ponders the nature of love and of human need, opening with a quote by Jacques Lacan and ending with a shrug.- Austin Chronicle
- Read full review
-
- Marrit Ingman
A pleasant, often beautiful, and surprisingly light-hearted film that affirms the human traits of resilience and intelligence while clearly denouncing the bellicose tendencies of nations and factions.- Austin Chronicle
- Read full review
-
- Marrit Ingman
A suitably rigorous sports movie. On the other hand, at no time does it break out of the "sports movie" mold.- Austin Chronicle
- Read full review
-
- Marrit Ingman
Ultimately the film manages a warm, offbeat appeal despite its flaws, and it has real heart.- Austin Chronicle
- Read full review
-
- Austin Chronicle
- Read full review
-
- Marrit Ingman
If the sensitive coming-of-age love story is a well-worn tradition in gay cinema, Come Undone is at the very least a superior example of it.- Austin Chronicle
- Read full review
-
- Marrit Ingman
The film is set in post-WWII Scotland, but its tone and its telling are so stark, so Medieval, that it seems anachronistic when one of its characters picks up a telephone or plays a bebop jazz record.- Austin Chronicle
- Read full review
-
- Austin Chronicle
- Read full review
-
- Austin Chronicle
-
- Marrit Ingman
Like a lot of animated fare, it's overly busy, lacking the comic's gentle, contemplative air.- Austin Chronicle
- Read full review
-
- Marrit Ingman
The very concept of such an assassination isn't so absurd as to be wacky – at least not since somebody fired a rocket at UN Secretary-General Ban Ki-moon last Thursday.- Austin Chronicle
- Read full review
-
- Marrit Ingman
A couple of the cinemaniacs are less defined than others, but the portrait that emerges is a detailed composite of life on the fringe.- Austin Chronicle
- Read full review
-
- Marrit Ingman
Wistful voiceover explains too much, and, even worse, interrupts the requisite Teen Movie Climactic Speech.- Austin Chronicle
- Read full review
-
- Marrit Ingman
This moody Hong Kong thriller puts a stylish new spin on the old "Hands of Orlac" horror motif.- Austin Chronicle
- Read full review
-
- Marrit Ingman
She's funny, she's feisty, she's a flabulous, fat-positive “fag hag,” and Margaret Cho isn't apologizing for any of it.- Austin Chronicle
- Read full review
-
- Marrit Ingman
Eighteen short films by an international who's-who of filmmakers make up this omnibus celebrating the joys and sorrows of love and Paris, organized by neighborhood.- Austin Chronicle
- Read full review
-
- Marrit Ingman
This is joyful filmmaking, imbued with an infectious, giddy enthusiasm.- Austin Chronicle
- Read full review
-
- Austin Chronicle
- Read full review
-
- Marrit Ingman
Cute and toothless as a kitten, Seamstress doesn't inspire the same kind of fervent devotion its principals feel when confronted with art, but it does make a pleasant enough diversion.- Austin Chronicle
- Read full review
-
- Austin Chronicle
- Read full review