Lovia Gyarkye

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The Hollywood Reporter, The New York Times
For 345 reviews, this critic has graded:
  • 48% higher than the average critic
  • 6% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 1.9 points higher than other critics. (0-100 point scale)

Lovia Gyarkye's Scores

  • Movies
  • TV
Average review score: 67
Highest review score: 100 Seeds
Lowest review score: 10 Madame Web
Score distribution:
  1. Positive: 211 out of 345
  2. Mixed: 127 out of 345
  3. Negative: 7 out of 345
345 movie reviews
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    • 53 Metascore
    • 50 Lovia Gyarkye
    Emancipation
    The drama feels flimsy when it strays from the swamps, rendering the politics of the time as almost secondary to the visual spectacle of a harrowing escape.
    • 53 Metascore
    • 50 Lovia Gyarkye
    The Deb
    Wilson’s direction is similarly uneven, especially toward the middle of the film, which packs in convenient plot points to distract from narrative thinness. The result is off-kilter pacing that threatens to undo the film’s more successful parts.
    • 53 Metascore
    • 70 Lovia Gyarkye
    Fatherhood
    It’s both an effective star vehicle and a tender tearjerker.
    • 53 Metascore
    • 50 Lovia Gyarkye
    Atropia
    Gates offers an incredibly compelling premise, shedding light on the scale of military propaganda in the United States, but in taking on so much, her film ends up not saying enough.
    • 52 Metascore
    • 60 Lovia Gyarkye
    Alone Together
    Predictable but sweet.
    • 52 Metascore
    • 60 Lovia Gyarkye
    Nobu
    Nobu is a straightforward and admiring portrait of its subject.
    • 52 Metascore
    • 50 Lovia Gyarkye
    Trap
    The film is a concert movie for Shyamalan’s daughter, the musician Saleka, wrapped in a middling thriller kept afloat by a compelling performance from Josh Hartnett.
    • 52 Metascore
    • 60 Lovia Gyarkye
    G20
    Once the principal heroes and villains have been established and the perfunctory narrative throat-clearing is out of the way, G20 finds its groove as a solid popcorn action flick.
    • 52 Metascore
    • 50 Lovia Gyarkye
    Eleanor the Great
    The film lurches between comic set pieces and more dramatic beats, and while Johansson proves a competent helmer, it’s not enough to overcome some dizzying tonal imbalances.
    • 52 Metascore
    • 30 Lovia Gyarkye
    Magic Mike's Last Dance
    But the film is so baggy, so preoccupied with its own ambitions — re-establishing its support of women’s desires, addressing a new generation, etc. — that it deflates into flaccid fluff.
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