Lovia Gyarkye

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The Hollywood Reporter, The New York Times
For 345 reviews, this critic has graded:
  • 48% higher than the average critic
  • 6% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 1.8 points higher than other critics. (0-100 point scale)

Lovia Gyarkye's Scores

  • Movies
  • TV
Average review score: 67
Highest review score: 100 Seeds
Lowest review score: 10 Madame Web
Score distribution:
  1. Positive: 211 out of 345
  2. Mixed: 127 out of 345
  3. Negative: 7 out of 345
345 movie reviews
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    • 50 Metascore
    • 60 Lovia Gyarkye
    Ruby Gillman, Teenage Kraken
    Ruby Gillman, Teenage Kraken charms and woos in a predictable manner.
    • 42 Metascore
    • 50 Lovia Gyarkye
    Opus
    Despite solid performances from Edebiri and Malkovich, Opus never takes off. It mostly meanders, relying on leaden expository monologues to move the plot, and rarely delivers on the promised horror of its atmosphere.
    • 47 Metascore
    • 50 Lovia Gyarkye
    Wish
    Even during its more successful moments, Wish’s magic falls flat. The film is weighed down by its purpose: to revel in Disney nostalgia while soaring into the future.
    • 42 Metascore
    • 50 Lovia Gyarkye
    Holland
    Holland boasts striking advancements in the director’s style and committed performances from Kidman, Macfadyen and Bernal, but these qualities can’t quite save a narrative fundamentally confused about its purpose.
    • 47 Metascore
    • 50 Lovia Gyarkye
    Salem's Lot
    Salem’s Lot is a clipped horror that partially works thanks to a handful of assured performances and key style choices.
    • 65 Metascore
    • 50 Lovia Gyarkye
    Sharper
    This is a film best experienced in a group setting, among friends, the kind of project that fosters conspiratorial thinking and could inspire multiple watches — if only it got out of its own way.
    • 52 Metascore
    • 50 Lovia Gyarkye
    Eleanor the Great
    The film lurches between comic set pieces and more dramatic beats, and while Johansson proves a competent helmer, it’s not enough to overcome some dizzying tonal imbalances.
    • 61 Metascore
    • 50 Lovia Gyarkye
    This Is Me…Now: A Love Story
    The film is not good, but it is singular — and absolutely chaotic.
    • 68 Metascore
    • 50 Lovia Gyarkye
    True Things
    Although the film handles the process of being subsumed by love well, the characters ultimately feel too thin to make Kate’s awakening persuasive.
    • 53 Metascore
    • 50 Lovia Gyarkye
    Atropia
    Gates offers an incredibly compelling premise, shedding light on the scale of military propaganda in the United States, but in taking on so much, her film ends up not saying enough.
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