Lou Thomas

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Little White Lies, NME
For 38 reviews, this critic has graded:
  • 63% higher than the average critic
  • 2% same as the average critic
  • 35% lower than the average critic
On average, this critic grades 6.3 points higher than other critics. (0-100 point scale)

Lou Thomas' Scores

  • Movies
  • TV
Average review score: 72
Highest review score: 100 The History of Sound
Lowest review score: 20 Morbius
Score distribution:
  1. Positive: 23 out of 38
  2. Mixed: 14 out of 38
  3. Negative: 1 out of 38
38 movie reviews
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    • 72 Metascore
    • 80 Lou Thomas
    Infinity Pool
    A riot of sex, murder and intoxication presented with an appropriate aural and sonic ferocity.
    • 38 Metascore
    • 40 Lou Thomas
    Jurassic World Dominion
    Some genuinely exciting action sequences save Jurassic World Dominion from being a complete turkey – a thrilling raptor versus motorbike chase is one of the highlights. Otherwise, the trilogy exits with a whimper rather than a roar.
    • 65 Metascore
    • 80 Lou Thomas
    Men
    Garland, having dipped with his interesting-but-flawed puzzler Annihilation, returns to the form of the excellent Ex Machina here with a shocking, hilarious and terrifying take on grief and masculinity at its most toxic. Thrilling stuff.
    • 60 Metascore
    • 60 Lou Thomas
    The Lost City
    The Lost City isn’t cutting-edge entertainment, but it is a decent action film boasting a great cast and some good jokes, without a superhero in sight. That alone is cause for recommendation.
    • 35 Metascore
    • 20 Lou Thomas
    Morbius
    None of the characters have meaningful motives – and they’re so thinly drawn that they’re almost transparent.
    • 75 Metascore
    • 80 Lou Thomas
    Belfast
    It’s best to think of Belfast as a great, crowd-pleasing coming-of-ager set in the city, rather than a serious, nuanced depiction of the conflict. Branagh’s tale leans heavily on the autobiographical and it’s about feelings rather than facts.
    • 72 Metascore
    • 60 Lou Thomas
    Bull
    Williams and Maskell have delivered an effective, savage revenge thriller – as long as one’s expectations are moderate.
    • 85 Metascore
    • 90 Lou Thomas
    Oasis Knebworth 1996
    One might question the need for yet another Oasis doc, but in this case the end the effort is justified, especially if you came of age to these very tunes.
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