For 38 reviews, this critic has graded:
  • 63% higher than the average critic
  • 2% same as the average critic
  • 35% lower than the average critic
On average, this critic grades 6.2 points higher than other critics. (0-100 point scale)

Lou Thomas' Scores

  • Movies
  • TV
Average review score: 72
Highest review score: 100 The History of Sound
Lowest review score: 20 Morbius
Score distribution:
  1. Positive: 23 out of 38
  2. Negative: 1 out of 38
38 movie reviews
    • 78 Metascore
    • 60 Lou Thomas
    This take on Nosferatu may be essential viewing for fans of gothic horror but must be recommended with caution for everyone else.
    • 60 Metascore
    • 60 Lou Thomas
    The Lost City isn’t cutting-edge entertainment, but it is a decent action film boasting a great cast and some good jokes, without a superhero in sight. That alone is cause for recommendation.
    • 74 Metascore
    • 60 Lou Thomas
    Highest 2 Lowest’s action moves with pace and the dialogue is full of the rhymes and hilarious street slang Lee typically peppers his films with. However, it doesn’t feel shot and cut with his usual vitality.
    • 50 Metascore
    • 60 Lou Thomas
    Action and acting, then, all good. Unfortunately – and bizarrely, given screenwriter David Koepp co-wrote the original Jurassic Park among other great blockbusters – the dialogue throughout Jurassic World Rebirth is very patchy, as if his first draft script made it to the screen.
    • 38 Metascore
    • 40 Lou Thomas
    Some genuinely exciting action sequences save Jurassic World Dominion from being a complete turkey – a thrilling raptor versus motorbike chase is one of the highlights. Otherwise, the trilogy exits with a whimper rather than a roar.
    • 55 Metascore
    • 40 Lou Thomas
    Whether Megalopolis is a critical or commercial success remains to be seen but it’s strange enough to surely have a long life as a cult film.
    • 48 Metascore
    • 40 Lou Thomas
    Much like a bad date, Cat Person feels like a missed opportunity.
    • 35 Metascore
    • 20 Lou Thomas
    None of the characters have meaningful motives – and they’re so thinly drawn that they’re almost transparent.

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