Lorry Kikta

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time.

Please see this film, if only to hear victims speak truth to power.

Some people, including a couple of people I watched the film with, may see The House That Jack Built as pretentious nonsense. Others will see it as the glorification of violence. I see it for what it was intended to be, a work of complicated, violent, hilarious art.

You should absolutely see Time Warp: The Greatest Cult Films of All-Time – Vol. 2: Horror and Sci-Fi. It’s about an hour and a half long, and I’ve seen it twice and could watch it again.

It feels like a lost gospel. It really is a magical film like nothing else.

This new interpretation of the beloved classic absolutely deserves to be seen in theaters.

I Carry You With Me is an emotional powerhouse that had me and the other moviegoers crying our collective eyes out.

Thompson pulled off an extraordinary feat. He introduced a whole new audience to a very impressive cultural event that could have been entirely forgotten. He also reminds us of where and what conditions we all came from as a country and where we’re headed now.

If you want to know more about cult cinema, Time Warp: The Greatest Cult Films of All Time is a great place to start.

My favorite horror offering of the year so far. It’s smart, uncompromising, inventive and just downright hilarious.

Sword Of Trust is one of the most well-written and acted comedies I’ve seen in quite some time and definitely the best I’ve seen so far this year. It has a high absurdity factor but simultaneously the set, costume, and production design is so life-like, you willing go along for this truly weird adventure that really only could happen in the south.

It’s yet another piece of Coen Brothers’ gold that just makes me curious about what kind of magic they’re going to make next.

I felt as if I knew Steinem by the end of it, and as though there might be some hope in this current hellscape in which we live. It is the exact kind of movie we need in times such as these.

There are visually stunning scenes throughout, but the acting and writing are the pièce de résistance of Sibyl and should be exactly why you put this film on your radar as one to watch from 2019. It’s certainly going on my end of year favorite list.

The concept is original, and the film spends a lot of time misdirecting or not explaining things thoroughly, adding an intriguing layer of mystery. The questions the film asks about life, love, and morality are heavy but not so much as to weigh down everything.

Eggers immerses us in the world of Norse mythology, where Odin reigns supreme and Valkyries carry you to Valhalla if you die in battle. Visually and technically, the movie is a marvel.

I loved Roadrunner: A Film About Anthony Bourdain because, like Bourdain himself, the film pulls no punches. It’s fearless in that it’s not looking to beatify its deceased subject.

Archenemy is an absolute must-watch.

The film has a whimsical surreality to it, just like the actor himself.

It’s honestly one of the best dark comedies I’ve seen in years, and I can’t wait to watch it again.

The Disappearance of My Mother is rife with grand philosophical questions about beauty, capitalism, love, life, and death, while still maintaining the intimacy of a family connection.

Overall, I think this documentary is perfect, even if it is a bit of Christmas propaganda.

Check out VHYES if you want to see the most original film to come out in ages.

I highly suggest seeking out Knife+Heart if you like 70s & 80s B-movie and exploitation films. This was a spot-on homage to the beloved genre. It’s hilarious and haunting and genuinely beautiful, an ambitious film that the more prudish amongst us will be squirming in their seats during. So this is definitely not something to go see with your parents, regardless of your and their ages.

The movie is also just plain out fun, and I feel like a lot of other horror films could take a lesson from it.

I cannot recommend The Swerve enough. It is one of the most depressing horror films I’ve ever seen, so maybe don’t watch it if you’re trying to feel super-sunshiney. It is an amazingly cathartic experience.

Anyone who likes gothic horror and science fiction will appreciate what Kelsey Egan and Emma Lungiswa De Wet offer. They create a beautiful and horrible world in which you cant help bet get lost. As I said before, it is my favorite film of the year so far, so if that carries any weight with you, seek this gem out.

[A] mind-blowingly thorough and epic documentary.