Leslie Felperin
Select another critic »For 845 reviews, this critic has graded:
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44% higher than the average critic
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5% same as the average critic
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51% lower than the average critic
On average, this critic grades 2.3 points lower than other critics.
(0-100 point scale)
Leslie Felperin's Scores
- Movies
- TV
| Average review score: | 63 | |
|---|---|---|
| Highest review score: | Toni Erdmann | |
| Lowest review score: | Hector and the Search for Happiness | |
Score distribution:
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Positive: 377 out of 845
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Mixed: 440 out of 845
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Negative: 28 out of 845
845
movie
reviews
- By Date
- By Critic Score
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- Leslie Felperin
There is a fair number of gags and wisecracks that will go over the head of many viewers not steeped in the local lore, argot and history. But the film’s infectious energy, use of in-camera effects, animation and all manner of jiggery pokery is as mesmerizing and giddy as it was when Danny Boyle used many of the same tricks for Trainspotting.- The Hollywood Reporter
- Posted Jan 23, 2024
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- Leslie Felperin
The film’s best decision is to cast the great Ralph Ineson as an ambiguous local figure of note. With his basso profundo rumble of a voice and air of rough-hewn potency, he’s always a striking figure on stage and screen.- The Guardian
- Posted Jan 3, 2024
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- Leslie Felperin
This is not a cuddly version of Godzilla. He is rageful and entirely incomprehensible, seemingly not even motivated by hunger, desire or revenge. Like a god, he just is, an entity that has become death, the destroyer of worlds, as ineluctable as history itself.- The Guardian
- Posted Dec 13, 2023
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- Leslie Felperin
The whole shebang is quite bizarre but sort of works, thanks to the brisk pacing of the editing and the joie de vivre that directors Zoya Akhtar and Ryan Brophy inject into the proceedings.- The Guardian
- Posted Dec 7, 2023
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- Leslie Felperin
It’s all quite lovely to look at or even just listen to, making for something that can easily be experienced at home while the viewer is knitting or chopping vegetables.- The Guardian
- Posted Dec 5, 2023
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- Leslie Felperin
The execution is dire, with cliche-riddled dialogue as cheesy as a packet of Kraft Singles, stodgy pacing, poorly developed characters and shonky acting.- The Guardian
- Posted Dec 5, 2023
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- Leslie Felperin
The back half is all over the place and doesn’t seem to know what to say – but Connelly never ceases to be anything less than mesmerising as the kind of older woman full of spit, vinegar and shrapnel who could go off at any second.- The Guardian
- Posted Nov 29, 2023
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- Leslie Felperin
This one has all the Norwegian drama of Yuletide in one tidy package, yes sir.- The Guardian
- Posted Nov 28, 2023
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- Leslie Felperin
Perhaps the most remarkable moment comes at the end when the elderly Aurora reflects that she doesn’t want revenge, she just wants those connected to the genocide to be made accountable for it: “sat in the chair” of justice.- The Guardian
- Posted Nov 20, 2023
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- Leslie Felperin
The direction by Nadine Crocker has all the authenticity of a daytime soap opera. But all the same, there’s no denying that Hedlund and, to a lesser extent, Fitzgerald are pretty good, offering better performances than the film surrounding them deserves.- The Guardian
- Posted Nov 14, 2023
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- Leslie Felperin
In the end this feels a bit too much like a knockoff of a superior product, like something one of these guys would sell out of the boot of their car.- The Guardian
- Posted Nov 14, 2023
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- Leslie Felperin
Sometimes God is just too on the nose when he makes his creations suffer; but at least Alberdi’s humane, profoundly empathic film-making offers some balm.- The Guardian
- Posted Nov 8, 2023
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- Leslie Felperin
There’s nothing sentimental about this documentary, which looks at people with the clear, unflinching gaze of a portraitist.- The Guardian
- Posted Nov 2, 2023
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- Leslie Felperin
The lack of cackle-worthy one-liners here and the entertaining but highly predictable last act make this a little bit snoozy for savvier viewers.- The Hollywood Reporter
- Posted Oct 17, 2023
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- Leslie Felperin
The Kitchen also has plenty of inventive ideas, creates heady atmospheres in both its dark and lighter moments, and features vivid performances with a large ensemble.- The Hollywood Reporter
- Posted Oct 17, 2023
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- Leslie Felperin
There’s a certain amount of nasty fun to be had watching the assorted couples get drunk and tear strips off each other, in a metaphoric sense at least, before the violence kicks off – as if Greene were aiming to make a cross between Scream and Who’s Afraid of Virginia Woolf?- The Guardian
- Posted Oct 17, 2023
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- Leslie Felperin
Extensive archive news material is drawn on to explain key moments in the struggle over reproductive rights, but mostly the story emerges organically from the interviewees themselves.- The Hollywood Reporter
- Posted Oct 12, 2023
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- Leslie Felperin
There must be some limit to how much content you can generate from the franchise’s core formula, which always finds the titular pack of talking puppy heroes saving their perpetually endangered home town, Adventure City, from an assortment of perils.- The Guardian
- Posted Oct 12, 2023
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- Leslie Felperin
Unsurprisingly, it all builds to a bleak conclusion, and the film as a whole is a powerful statement that lingers in the mind long after the final credits roll.- The Guardian
- Posted Oct 3, 2023
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- Leslie Felperin
Like so many of his other movies, it’s pithy, punchy, a little shouty at times, but made with brio and swagger.- The Hollywood Reporter
- Posted Sep 29, 2023
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- Leslie Felperin
Indeed, it is not clear how interested director Rudy Valdez is in Santana, or whether he is just doing this gig as a means to an end.- The Guardian
- Posted Sep 22, 2023
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- Leslie Felperin
Gasoline Rainbow pays homage to all the road movies that ever were but is still its own quirky thing, uniquely of its time.- The Hollywood Reporter
- Posted Sep 18, 2023
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- Leslie Felperin
Spall keeps the performance tight, projecting not just Jimmy’s damaged psyche but also his wit.- The Guardian
- Posted Sep 12, 2023
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- Leslie Felperin
This is very bizarre stuff, even within the traditionally weird parameters of cultural representation in cartoons, but kids won’t mind as it’s one non-stop riot of colour and vroom-vroom movement.- The Guardian
- Posted Sep 12, 2023
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- Leslie Felperin
In some ways, it’s one of Hopkins’ best performances from the last few years, beautifully underplayed, eschewing mannerisms or silly accents. It’s just a shame the film itself, directed by James Hawes, with a script by Lucinda Coxon and Nick Drake, is a bit worthy and diagrammatic.- The Hollywood Reporter
- Posted Sep 11, 2023
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- Leslie Felperin
While the landscapes, especially in the parched Sahara section of the story, are dazzling, Carnera’s camera always keeps the focus on the humans, sometimes specks seen from great distances moving through the sand and sometimes studied in close-ups that fill the widescreen canvas.- The Hollywood Reporter
- Posted Sep 10, 2023
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- Leslie Felperin
If cinema is an empathy machine, to paraphrase the late Roger Ebert, then Agnieszka Holland’s new film is one precision-tooled specimen.- The Hollywood Reporter
- Posted Sep 8, 2023
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- Leslie Felperin
This mostly competent but largely uninteresting, bordering-on-silly work upholds the Allen tradition of just carrying on as usual- The Hollywood Reporter
- Posted Sep 6, 2023
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- Leslie Felperin
If you were programming a season of the best of the worst from Nicolas Cage’s filmography – in other words, his most interesting/outlandish/crazed performances in low-budget films – this kooky thriller would certainly be a good candidate.- The Guardian
- Posted Sep 6, 2023
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- Leslie Felperin
Given the chemistry between the two leads that could restart a dormant nuclear power plant, viewers are likely to come away sated with pleasure after seeing this delightful work.- The Hollywood Reporter
- Posted Sep 5, 2023
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