Leonardo Goi
Select another critic »For 74 reviews, this critic has graded:
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67% higher than the average critic
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8% same as the average critic
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25% lower than the average critic
On average, this critic grades 13.7 points higher than other critics.
(0-100 point scale)
Leonardo Goi's Scores
- Movies
- TV
| Average review score: | 79 | |
|---|---|---|
| Highest review score: | Blue Heron | |
| Lowest review score: | A Brighter Tomorrow | |
Score distribution:
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Positive: 62 out of 74
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Mixed: 12 out of 74
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Negative: 0 out of 74
74
movie
reviews
- By Date
- By Critic Score
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- Leonardo Goi
That I Only Rest in the Storm should overflow with ideas is not in itself an indictment; it’s that the film should gradually shed so many of its mysteries and ambiguities.- The Film Stage
- Posted Dec 9, 2025
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- Leonardo Goi
After the Hunt aims to tackle our so-called cancel culture, but wrestling with that weighty topic isn’t the same as meaningfully reckoning with it; if there’s anything genuinely uncomfortable about Guadagnino’s film, it’s not button-pushing issues but the reactionary way it squanders them.- The Film Stage
- Posted Aug 29, 2025
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- Leonardo Goi
Queer’s hollowness––its inability to fully flesh out its hero’s psyche––feels all the more conspicuous: a failure of the imagination.- The Film Stage
- Posted Sep 3, 2024
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- Leonardo Goi
Besson hopscotches from slapstick comedy to lachrymose junctures where Landry Jones is asked to conjure a sense of catharsis Dogman never really earns. His performance is a showcase of primal gestures and bare-breasted torment, but what the actor’s tasked with embodying isn’t a character, only the chrysalis of one.- The Film Stage
- Posted Sep 6, 2023
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- Leonardo Goi
A Brighter Tomorrow may be soaked in nostalgia, but it’s a nostalgia with a reactionary twang. Its title, in retrospect, feels oddly ironic. This is a screed from a director unwilling to look at the future with more than just contempt, where the “tomorrow” is really just a rose-tinted fantasia of long gone past.- The Film Stage
- Posted May 25, 2023
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- Leonardo Goi
Blanchett gives a committed turn as the conflicted nun, but all her emphatic exertions cannot resurrect a story that forsakes its mysticism for a calculated parable, as well-intentioned as it is turgid.- The Film Stage
- Posted May 23, 2023
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- Leonardo Goi
There’s no denying the affection Winocour pours into Mia’s healing. For a drama dealing with a wound that’s still unbearably vivid, Memories is both tactful and heartfelt. But as time went on I found myself wondering how much more affecting the film might have turned out had Winocour chosen to complicate some of its heavy-handed metaphors and cliches.- The Film Stage
- Posted Jun 2, 2022
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- Leonardo Goi
A Girl Missing feels just as lost and hapless as its lead–more than on a quest for vengeance, a woman in search of a fully shaped self.- The Film Stage
- Posted Jul 21, 2020
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- Leonardo Goi
Take it as a real-time thriller, an intelligently crafted study in cinematic minimalism, and 7500 works. The trouble starts when Vollrath’s feature debut (a follow-up to his 2015 Oscar-nominated short Everything Will Be Okay) attempts the landing.- The Film Stage
- Posted Jun 15, 2020
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- The Film Stage
- Posted Jun 1, 2019
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- Leonardo Goi
A ride that offers plenty of chuckle-inducing moments, but ultimately stalls in a swamp of meta-textual references and cinematic detritus.- The Film Stage
- Posted May 17, 2019
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