For 74 reviews, this critic has graded:
  • 67% higher than the average critic
  • 8% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 13.7 points higher than other critics. (0-100 point scale)

Leonardo Goi's Scores

  • Movies
  • TV
Average review score: 79
Highest review score: 100 Blue Heron
Lowest review score: 42 A Brighter Tomorrow
Score distribution:
  1. Positive: 62 out of 74
  2. Negative: 0 out of 74
74 movie reviews
    • 56 Metascore
    • 58 Leonardo Goi
    That I Only Rest in the Storm should overflow with ideas is not in itself an indictment; it’s that the film should gradually shed so many of its mysteries and ambiguities.
    • 52 Metascore
    • 42 Leonardo Goi
    After the Hunt aims to tackle our so-called cancel culture, but wrestling with that weighty topic isn’t the same as meaningfully reckoning with it; if there’s anything genuinely uncomfortable about Guadagnino’s film, it’s not button-pushing issues but the reactionary way it squanders them.
    • 72 Metascore
    • 42 Leonardo Goi
    Queer’s hollowness––its inability to fully flesh out its hero’s psyche––feels all the more conspicuous: a failure of the imagination.
    • 45 Metascore
    • 50 Leonardo Goi
    Besson hopscotches from slapstick comedy to lachrymose junctures where Landry Jones is asked to conjure a sense of catharsis Dogman never really earns. His performance is a showcase of primal gestures and bare-breasted torment, but what the actor’s tasked with embodying isn’t a character, only the chrysalis of one.
    • 47 Metascore
    • 42 Leonardo Goi
    A Brighter Tomorrow may be soaked in nostalgia, but it’s a nostalgia with a reactionary twang. Its title, in retrospect, feels oddly ironic. This is a screed from a director unwilling to look at the future with more than just contempt, where the “tomorrow” is really just a rose-tinted fantasia of long gone past.
    • 64 Metascore
    • 58 Leonardo Goi
    Blanchett gives a committed turn as the conflicted nun, but all her emphatic exertions cannot resurrect a story that forsakes its mysticism for a calculated parable, as well-intentioned as it is turgid.
    • 71 Metascore
    • 58 Leonardo Goi
    There’s no denying the affection Winocour pours into Mia’s healing. For a drama dealing with a wound that’s still unbearably vivid, Memories is both tactful and heartfelt. But as time went on I found myself wondering how much more affecting the film might have turned out had Winocour chosen to complicate some of its heavy-handed metaphors and cliches.
    • 52 Metascore
    • 58 Leonardo Goi
    A Girl Missing feels just as lost and hapless as its lead–more than on a quest for vengeance, a woman in search of a fully shaped self.
    • 58 Metascore
    • 58 Leonardo Goi
    Take it as a real-time thriller, an intelligently crafted study in cinematic minimalism, and 7500 works. The trouble starts when Vollrath’s feature debut (a follow-up to his 2015 Oscar-nominated short Everything Will Be Okay) attempts the landing.
    • 60 Metascore
    • 58 Leonardo Goi
    Matthias & Maxime lacks the raw, blazing energy Dolan can excel at.
    • 53 Metascore
    • 58 Leonardo Goi
    A ride that offers plenty of chuckle-inducing moments, but ultimately stalls in a swamp of meta-textual references and cinematic detritus.

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