For 46 reviews, this critic has graded:
  • 21% higher than the average critic
  • 2% same as the average critic
  • 77% lower than the average critic
On average, this critic grades 11.3 points lower than other critics. (0-100 point scale)

Joshua Land's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 90 LOL
Lowest review score: 0 Chaos
Score distribution:
  1. Positive: 13 out of 46
  2. Negative: 4 out of 46
46 movie reviews
    • 57 Metascore
    • 50 Joshua Land
    Grappell implicitly uses the juxtaposition with the martyred Kurbas to gauge her commitment to her own art. Light From the East drinks freely from the triumphalist cup of the glasnost era.
    • 55 Metascore
    • 50 Joshua Land
    It's all pleasant enough, but the pretty pictures, languid pacing, and endless stretches of mood music eventually combine to soporific effect.
    • 55 Metascore
    • 40 Joshua Land
    As a director (Caan) occasionally falls prey to the rookie mistake of excessive crosscutting, fragmenting the dramatic momentum created by his fine cast.
    • 55 Metascore
    • 50 Joshua Land
    Avoids the narrative contrivances of many recent forays into Americana -- by virtually avoiding narrative.
    • 53 Metascore
    • 50 Joshua Land
    While the questions may be universal, they're not particularly original, and the responses largely run the expected range, rendering the whole project less enlightening than your average collegiate coffee-and-cigarettes bull session.
    • 52 Metascore
    • 50 Joshua Land
    Kill Your Idols pulls a few punches, tempering its respect for No Wave values like extremity and contentiousness with a more 2006 concern for not actually offending anyone in particular.
    • 47 Metascore
    • 40 Joshua Land
    Witherspoon's oft charming perkiness is merely patronizing here, but mid-'90s MTV staple Donal Logue steals every scene he's in as an ethically challenged therapist.
    • 46 Metascore
    • 40 Joshua Land
    Nicely rendered moments of casual intimacy between the men attest to the trip's therapeutic value, but very little of it transfers to the audience. The dull large-group scenes consist mostly of old standbys like writing problems on slips of paper and burning them.
    • 46 Metascore
    • 40 Joshua Land
    The thriller plot sputters and the romance between Slater and eco-friendly Harvard MBA Selma Blair is a nonstarter, but the movie's threadbare execution actually enhances its queasy vision of a nation in decline.
    • 43 Metascore
    • 10 Joshua Land
    One might expect some insight into nationalist propaganda from This Ain't No Heartland, which opens with a Goering quotation, but Austrian director Andreas Horvath's scattershot film is more interested in advancing the thesis that Midwesterners are all dumb hicks.
    • 42 Metascore
    • 60 Joshua Land
    A movie refreshingly lacking in social graces, Piggie uses the transparency of video to x-ray the psyches of characters obsessed with the essence of things.
    • 36 Metascore
    • 50 Joshua Land
    Surprisingly bearable family comedy.
    • 30 Metascore
    • 40 Joshua Land
    Todd Verow's overstuffed Vacationland promises more than it delivers in just about every sense.
    • 30 Metascore
    • 10 Joshua Land
    This witless satire dares to take on the culture of--get ready for this--reality TV! Arriving a stupefying five years out of date, Surviving Eden is a not particularly rigorous attempt at mockumentary.
    • 24 Metascore
    • 50 Joshua Land
    The movie recovers from a sluggish opening act to pack some real suspense in its second half.
    • 1 Metascore
    • 0 Joshua Land
    Chaos lacks the audience-implicating boldness or howling political outrage of that landmark (Wes Craven's "Last House on the Left"); where Last House was provocative, Chaos is merely disgusting.

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