Josh Wise
Select another critic »For 21 reviews, this critic has graded:
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33% higher than the average critic
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0% same as the average critic
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67% lower than the average critic
On average, this critic grades 7.1 points lower than other critics.
(0-100 point scale)
Josh Wise's Scores
- Movies
- TV
| Average review score: | 59 | |
|---|---|---|
| Highest review score: | Guillermo Del Toro’s Pinocchio | |
| Lowest review score: | How to Talk to Girls at Parties | |
Score distribution:
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Positive: 10 out of 21
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Mixed: 8 out of 21
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Negative: 3 out of 21
21
movie
reviews
- By Date
- By Critic Score
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- Josh Wise
The Wonder coheres as a powerful study of the way in which people are cloistered by their own stories.- Slant Magazine
- Posted Nov 10, 2022
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- Josh Wise
It’s to Jennifer Lawrence and Brian Tyree Henry’s credit that what lingers is their characters’ uncertainty.- Slant Magazine
- Posted Oct 12, 2022
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- Josh Wise
Enys Men might have been called A Blueprint for Revival: an attempt to restore to horror something that Jenkin feels has been lost. If only it didn’t lack the power to truly frighten us, it may have flourished.- Slant Magazine
- Posted Oct 10, 2022
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- Josh Wise
Jamila C. Gray lends credibility to Brianna Jackson, who happens to be searching for just that. She plays the damn role.- Slant Magazine
- Posted Sep 22, 2022
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- Josh Wise
For most of Kevin Macdonald's film, Whitney Houston seems a guttering flame in a public crosswind, with only fleeting celebration given to the wildfire of her success.- Slant Magazine
- Posted Jul 5, 2018
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- Josh Wise
This isn't a film about surfing so much as one about riding a wave that must eventually break and recede.- Slant Magazine
- Posted May 29, 2018
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- Josh Wise
It deals with a very ordinary emergency with deftness of touch, and the power of a singular performance.- Slant Magazine
- Posted May 10, 2018
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- Josh Wise
At 130 minutes, it isn't a short film, and its most intriguing elements, much like Baalsrud's rations, are in short supply.- Slant Magazine
- Posted May 3, 2018
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- Josh Wise
In setting their play to film, Jeremy Dyson and Andy Nyman decide where we look. Any magician would be jealous of that power. But it puts everything at a remove, trapping you in your own head.- Slant Magazine
- Posted Apr 16, 2018
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- Josh Wise
The film is marked by wild flashes of invention, all born of painstaking craft and devotion.- Slant Magazine
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