Jonathan Foreman

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New York Post
For 546 reviews, this critic has graded:
  • 42% higher than the average critic
  • 4% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 9.9 points lower than other critics. (0-100 point scale)

Jonathan Foreman's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Crouching Tiger, Hidden Dragon
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 285 out of 546
  2. Mixed: 103 out of 546
  3. Negative: 158 out of 546
546 movie reviews
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    • 30 Metascore
    • 25 Jonathan Foreman
    Gods and Generals
    The film's staggering incompetence can be measured by the way it makes some of the most fascinating and heart-rending episodes in American history tedious.
    • 30 Metascore
    • 38 Jonathan Foreman
    American Virgin
    A bad film with some oddly charming moments.
    • 30 Metascore
    • 50 Jonathan Foreman
    John Q
    Not a movie but a live-action agitprop cartoon so shameless and coarse, it's almost funny.
    • 30 Metascore
    • 63 Jonathan Foreman
    Deuce Bigalow: Male Gigolo
    It's not to say that the adolescent humor isn't funny; some of it is hilarious. It's just that this movie lacks the overarching comic sensibility that made "Mary" and even Adam Sandler comedies like "Happy Gilmore" and "The Waterboy" so satisfying.
    • New York Post
    • 30 Metascore
    • 50 Jonathan Foreman
    Where the Heart Is
    Hard-core chick shlock, weakened by odd shifts in tone and a slack pace, but elevated by a luminous performance by Natalie Portman.
    • 30 Metascore
    • 63 Jonathan Foreman
    The Replacements
    Formulaic but surprisingly charming.
    • 30 Metascore
    • 25 Jonathan Foreman
    Dude, Where's My Car?
    An almost chuckle-free mess, so amateurish and lame that the cast often has that embarrassed look you see on dogs given ridiculous haircuts.
    • New York Post
    • 30 Metascore
    • 38 Jonathan Foreman
    Thirteen Ghosts
    What follows is very gruesome indeed, though the footage of people being chased by hideous ghosts soon becomes rather dull.
    • 29 Metascore
    • 63 Jonathan Foreman
    Backstage
    There are times when the urban dialect is so thick, you wish the film came with subtitles.
    • New York Post
    • 29 Metascore
    • 25 Jonathan Foreman
    Driven
    Embarrassingly bad - the kind of slapdash exercise that gives even Hollywood formula a bad name, while doing little justice to the sport.
    • New York Post
    • 29 Metascore
    • 50 Jonathan Foreman
    Swimfan
    About two-thirds of the way through, a stupid, hyperbolic sensibility takes control of the project, running it screaming off the rails.
    • 29 Metascore
    • 0 Jonathan Foreman
    God, Sex & Apple Pie
    This must be one of the worst movies ever to get a big-screen release. If it weren't so boring, this unbelievably bad indie sex comedy would be worth going to for five minutes of laughs at its sheer incompetence.
    • 28 Metascore
    • 25 Jonathan Foreman
    Ghost Ship
    A big, incoherent bore, interesting only as an example of assembly-line movie-making gone awry.
    • 28 Metascore
    • 38 Jonathan Foreman
    Third World Cop
    The acting, camera work and writing are all crude and amateurish, even by the standards of student films.
    • 28 Metascore
    • 25 Jonathan Foreman
    Adored
    Not only is Adored amateurish and mawkish even by the standards of American "gaysploitation" cinema, it's weirdly shy about showing nudity and sex.
    • 27 Metascore
    • 25 Jonathan Foreman
    The Gospel According to Philip K. Dick
    Anyone interested in this remarkably prolific author would be better off visiting a library or bookshop.
    • New York Post
    • 27 Metascore
    • 25 Jonathan Foreman
    Coyote Ugly
    There's no limit to Coyote Ugly's crass shamelessness.
    • New York Post
    • 27 Metascore
    • 25 Jonathan Foreman
    The Musketeer
    An example of lazy, dumb and couldn't-care-less hack movie making.
    • New York Post
    • 26 Metascore
    • 12 Jonathan Foreman
    Trixie
    It's so painful to sit through you eventually stop feeling sorry for the floundering cast.
    • 25 Metascore
    • 50 Jonathan Foreman
    The Million Dollar Hotel
    Pretentious and trite.
    • New York Post
    • 25 Metascore
    • 50 Jonathan Foreman
    The One
    Overall, this sci-fi/martial arts hybrid has the stale aura of a product assembled out of bits of other action movies.
    • 25 Metascore
    • 50 Jonathan Foreman
    Sorority Boys
    Unoriginal but effective raunchy drag comedy.
    • 25 Metascore
    • 25 Jonathan Foreman
    The Next Best Thing
    If the movie were funny, the implicit sermonizing would be more tolerable, but apart from four or five good one-liners, The Next Best Thing is a thudding failure as a comedy.
    • 25 Metascore
    • 25 Jonathan Foreman
    Stealing Harvard
    Stinks even by the standards of late summer movie garbage.
    • 25 Metascore
    • 38 Jonathan Foreman
    Dragonfly
    Hollywood movies are rarely as contemptuous of the audience as Dragonfly, with its half-witted, treacly New Age sappiness and its mechanical borrowings from other, better supernatural thrillers.
    • 25 Metascore
    • 25 Jonathan Foreman
    Wannabes
    Isn't really a movie: It's a grab bag of mobster clichés lifted without finesse from "A Bronx Tale," "GoodFellas" and at least a score of lesser Mafia flicks.
    • 25 Metascore
    • 38 Jonathan Foreman
    Enough
    One of those "Lifetime"-esque horror stories of evil husbands in the suburbs.
    • 24 Metascore
    • 50 Jonathan Foreman
    The New Guy
    Uneven but occasionally hilarious teen comedy.
    • 24 Metascore
    • 38 Jonathan Foreman
    The Suburbans
    Good-natured but mostly unfunny.
    • 24 Metascore
    • 12 Jonathan Foreman
    The Whole Ten Yards
    Bereft of inspiration, the agonizingly witless screenplay - blamed by the credits on George Gallo - resorts to pathetic cheap jokes about flatulence and impotence, lame slapstick and that juvenile gag about the horror of two men waking up naked in the same bed.
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