John Petrakis

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For 178 reviews, this critic has graded:
  • 61% higher than the average critic
  • 5% same as the average critic
  • 34% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

John Petrakis' Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Stone Reader
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
  1. Negative: 34 out of 178
178 movie reviews
    • 74 Metascore
    • 88 John Petrakis
    A fascinating study of sexual heat fueled by guns and ammo. [19 Oct 2001, p.C8]
    • Chicago Tribune
    • 74 Metascore
    • 88 John Petrakis
    Beautiful little film.
    • Chicago Tribune
    • 20 Metascore
    • 38 John Petrakis
    One of those frustrating movies that takes forever to get where it's going, and once arriving, the frustration is increased because one realizes how much better it should have been.
    • Chicago Tribune
    • 74 Metascore
    • 75 John Petrakis
    A cinematic treat, thanks to the well-defined supporting characters, the flawless attention to detail and a performance by the great Roshan Seth - one of the most underrated actors of his generation - which is just about perfect.
    • Chicago Tribune
    • 73 Metascore
    • 75 John Petrakis
    The Dinner Game works thanks to some exceptionally strong acting, impeccable timing and rapid-fire delivery of many funny lines.
    • 73 Metascore
    • 63 John Petrakis
    Down in the Delta's large heart is certainly in the right place, but it is beating just a bit too slowly. [25 Dec 1998, p.S]
    • Chicago Tribune
    • 73 Metascore
    • 88 John Petrakis
    Most of the performers have limited acting experience, but they are perfect for their parts, exhibiting the courage, stamina and wariness essential to live in such a harsh environment.
    • 73 Metascore
    • 63 John Petrakis
    As much a curiosity piece as anything else.
    • Chicago Tribune
    • 73 Metascore
    • 88 John Petrakis
    One of those small films that will, one hopes, find a larger audience through word of mouth.
    • 73 Metascore
    • 100 John Petrakis
    Based on a one-act play by Ferenc Molnar, and scripted by Wilder and his frequent collaborator, I.A.L. Diamond, One Two Three is all-Cagney all the time. [11 May 2001, p.C2]
    • Chicago Tribune
    • 73 Metascore
    • 50 John Petrakis
    Surprisingly lacking in revelatory moments.
    • Chicago Tribune
    • 72 Metascore
    • 100 John Petrakis
    Moskowitz may soon find himself in the same boat as many of the artists he is analyzing, because Stone Reader is going to be one tough act to follow.
    • 72 Metascore
    • 88 John Petrakis
    Exotica may be a gloomy journey up river, but it's a trip worth taking. See it with a friend. One who has something to say. [03 Mar 1995, p.J]
    • Chicago Tribune
    • 72 Metascore
    • 75 John Petrakis
    When Aimee and Jaguar gets on one of its frequent rolls, it can evoke memories of Bertolucci or even De Sica.
    • Chicago Tribune
    • 72 Metascore
    • 88 John Petrakis
    The beauty of The Ballad of Ramblin' Jack lies in its ability to transform itself into a sad tale of loss, regret and missed opportunities while it also remains a solid documentary about a once-influential artist seeking his place in the sun.
    • Chicago Tribune
    • 72 Metascore
    • 63 John Petrakis
    By the end we are left with a mildly amusing comedy and the lingering memory of a sterling cast that deserved better material.
    • Chicago Tribune
    • 72 Metascore
    • 75 John Petrakis
    Though the final journey drags at times, the early expository scenes in the shadows of Saint Sophia and assorted mosques are impressive and quite moving.
    • 71 Metascore
    • 75 John Petrakis
    The overriding sense one gets from this short but powerful film is awe.
    • 62 Metascore
    • 75 John Petrakis
    It's hard to focus on the travails when the music is so lively and good.
    • 71 Metascore
    • 88 John Petrakis
    An eliptical puzzle that comes together beautifully in the last five minutes. Challenging, disturbing and at times brilliant. [21 Oct 1994]
    • Chicago Tribune
    • 70 Metascore
    • 63 John Petrakis
    The problem is that we never see Dex employing the Steve technique to bed a female.
    • 70 Metascore
    • 75 John Petrakis
    What is most impressive about Kurosawa's direction is how he uses the entire frame, complete with expository background action, to fill in the story blanks. His eagerness to suggest, rather than declare, marks him as a director with confidence to spare.
    • 70 Metascore
    • 88 John Petrakis
    Unstrung Heroes is an extremely moving and surprisingly funny love sonnet to family, tolerance and the joys of individuality.... One of the best films of the year. [15 Sep 1995]
    • Chicago Tribune
    • 70 Metascore
    • 75 John Petrakis
    On one level, Late August, Early September is a story of how Adrien's illness and death affects those who respect and love him, but the film also finds the time and energy to suggest how the inevitable twists and delays that oftentimes comprise our early years can begin to feel like indulgences in the face of our own mortality. [17 Sep 1999, p.F]
    • Chicago Tribune
    • 70 Metascore
    • 75 John Petrakis
    A powerful indictment of a religious mind set and is sure to spark plenty of post-screening discussion.
    • 70 Metascore
    • 63 John Petrakis
    The film doesn't always take advantage of its dramatic potential (except for its strong soundtrack), as it relies too heavily on scenes of crazed warriors in makeup and costume, running and screaming and jumping up and down.
    • 69 Metascore
    • 88 John Petrakis
    Even if you have no interest in documentaries or the facade that is New York City, The Cruise transcends its artistic boundaries to becomes something strange and unique.
    • 69 Metascore
    • 75 John Petrakis
    It's not the plot--however enjoyable--that makes I Went Down so successful as a genre piece. Rather, it is the assortment of quirky and nicely-defined characters who crop up along the way, along with some of the sharpest screen dialogue you're likely to hear anytime soon. [1 July 1998, p.2]
    • Chicago Tribune
    • 69 Metascore
    • 88 John Petrakis
    May be a bit sentimental for some, but I found its patient examination of how the forces of optimism can be overwhelmed by a wave of cruelty to be both moving and wise.
    • Chicago Tribune
    • 69 Metascore
    • 88 John Petrakis
    One of those rare movies that manages to maintain the hushed intensity and claustrophobic anxiety that is normally associated with theater or prose.

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