For 872 reviews, this critic has graded:
  • 65% higher than the average critic
  • 4% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 8.7 points lower than other critics. (0-100 point scale)

Joe Leydon's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 No Greater Love
Lowest review score: 0 Movie 43
Score distribution:
872 movie reviews
    • 71 Metascore
    • 80 Joe Leydon
    Time and again during After Class, Schechter makes pinpoint-accurate choices that are even more impressive when, after it’s done, you replay the movie in your mind, and you realize what an exceptional piece of work it is.
    • 64 Metascore
    • 80 Joe Leydon
    A sensationally entertaining mash-up of historical drama, “Dirty Dozen” style shoot-‘em-up, spaghetti Western-flavored flamboyance, and extended action setpieces that suggest a dream-team collaboration of Sergio Leone, John Woo and Steven Spielberg.
    • 57 Metascore
    • 80 Joe Leydon
    An exceptionally well-crafted Western that spins a gripping, racially charged tale of suspicion, deception and survival in post-Civil War New Mexico.
    • 67 Metascore
    • 80 Joe Leydon
    Koepp does a masterful job of grounding his intimations of the supernatural in a totally persuasive down-to-earth context.
    • 54 Metascore
    • 80 Joe Leydon
    The film is a heady brew of period thriller, compelling melodrama and jet-black comedy, and the second most remarkable thing about it is how seamlessly these diverse elements gel.
    • 63 Metascore
    • 80 Joe Leydon
    A film that remains relentlessly absorbing for all of its compact 83-minute length largely because it places its audience in the position of helpless witnesses to a slow-motion trainwreck.
    • 69 Metascore
    • 80 Joe Leydon
    A sly curve ball of a documentary best described as a sports-themed "Rashomon" with an O. Henry twist.
    • tbd Metascore
    • 80 Joe Leydon
    Khan conveys equal measures of cynical wit and authoritative gravitas as Kumar.
    • 79 Metascore
    • 80 Joe Leydon
    For all the pic’s sentimentality, De Felitta refuses to back away from some unpleasantly realistic touches.
    • 71 Metascore
    • 80 Joe Leydon
    The film benefits greatly from its ability to review events from the viewpoints of the men on the ground in Houston.
    • 42 Metascore
    • 80 Joe Leydon
    A sly mix of haunted house melodrama, slasher pic mayhem and retro-blaxploitation iconography, spiced with dollops of grisly, dark comedy.
    • 69 Metascore
    • 80 Joe Leydon
    Echo in the Canyon offers a richly evocative and star-studded overview of the 1960s Laurel Canyon music scene.
    • 73 Metascore
    • 80 Joe Leydon
    Bill Nye: Science Guy is an efficiently thought-provoking study of what it means to be a rational and analytical advocate for science in an age when deniers of evolution and climate-change often seem to have higher profiles, deeper pockets and louder voices. But it’s even more interesting as the story of a beloved celebrity who wants to reinvent himself, to be taken more seriously.
    • 71 Metascore
    • 80 Joe Leydon
    An improbably effective and affecting mix of raw emotions and exciting smackdowns.
    • 82 Metascore
    • 80 Joe Leydon
    By turns amazing, amusing and appalling.
    • 68 Metascore
    • 80 Joe Leydon
    Deftly balancing twin goals of informing and entertaining, the pic matter-of-factly details the various ways that marketers, multinational corporations, police departments and government-run intelligence-gathering organizations obtain and exploit info.
    • 66 Metascore
    • 80 Joe Leydon
    Exceptional performances by two femme leads and sensitive but unsentimental storytelling throughout.
    • 66 Metascore
    • 80 Joe Leydon
    The final scenes of Dealt are all the more affecting for illustrating Turner’s newfound willingness to accept things he once deemed unacceptable without significantly compromising his personal code of honor.
    • 69 Metascore
    • 80 Joe Leydon
    A frequently inspired hit-and-miss burlesque that definitely hits more than it misses.
    • 66 Metascore
    • 80 Joe Leydon
    An ingeniously twisted mockumentary.
    • 58 Metascore
    • 80 Joe Leydon
    A hugely entertaining and more lavishly mounted follow-up to 2000's "Shanghai Noon," the high-concept East-meets-Western that first teamed top-billed duo, pic rides even taller in the saddle as a fleet and funny crowd-pleaser.
    • 71 Metascore
    • 80 Joe Leydon
    Enjoyably upbeat and intelligently inspiring.
    • 70 Metascore
    • 80 Joe Leydon
    One of the holiday movie season's more pleasant surprises. A mischievously clever and slickly commercial sci-fi comedy.
    • 81 Metascore
    • 80 Joe Leydon
    Mark Landsman's spirited Thunder Soul offers a heaping helping of uplift while documenting the past triumphs and recent reunion of a predominantly black Houston high school's singularly accomplished jazz stage band.
    • tbd Metascore
    • 80 Joe Leydon
    As Malti, Indian superstar Deepika Padukone relies less on exceptionally convincing makeup than straight-from-the-heart conviction to give her multifaceted performance the solid ring of truth.
    • 47 Metascore
    • 80 Joe Leydon
    Indie comedy about an unsuccessful playwright who very nearly talks himself out of his last best chance for happiness recalls the early work of Woody Allen. But pic stands on its own merits as witty and well-observed grown-up fare.
    • tbd Metascore
    • 80 Joe Leydon
    A revealing and fascinating documentary portrait of James Carville.
    • 69 Metascore
    • 80 Joe Leydon
    Arguably the best sports-oriented documentary since "Hoop Dreams."
    • 70 Metascore
    • 80 Joe Leydon
    "Sidemen” is an exceptionally entertaining and captivating tribute to the men and their music — and that there’s more than enough of said music here to please blues aficionados and recruit converts.
    • 68 Metascore
    • 80 Joe Leydon
    The naturalistic style of the storytelling is stealthily enthralling, as is the lead performance by Margita Gosheva as a provincial Bulgarian schoolteacher who is slowly, inexorably driven to the edge by crushing debt.

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