Jean Oppenheimer
Select another critic »For 144 reviews, this critic has graded:
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51% higher than the average critic
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4% same as the average critic
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45% lower than the average critic
On average, this critic grades 1.8 points lower than other critics.
(0-100 point scale)
Jean Oppenheimer's Scores
- Movies
- TV
| Average review score: | 64 | |
|---|---|---|
| Highest review score: | Donnie Darko | |
| Lowest review score: | Superbabies: Baby Geniuses 2 | |
Score distribution:
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Positive: 81 out of 144
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Mixed: 49 out of 144
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Negative: 14 out of 144
144
movie
reviews
- By Date
- By Critic Score
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- Jean Oppenheimer
A character study, the film succeeds in large measure due to the kinetically charged performance of Romain Duris.- Dallas Observer
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- Jean Oppenheimer
Emotionally gripping from start to finish, the movie presents an electrifying and unforgettable look at life in a place that God has all but forgotten.- Dallas Observer
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- Jean Oppenheimer
The story itself is absolutely amazing, and the sense of outrage it evokes is universal, but director Noyce faces a difficult task in that once the story is set in motion there is very little action, other than walking shots of the girls, and almost no dialogue.- Dallas Observer
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- Jean Oppenheimer
Meet Joe Black takes an interesting idea--Death assumes human form and comes to earth to learn about human existence--and reduces it to a flat, uninspired, interminably slow movie.- Dallas Observer
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- Jean Oppenheimer
Huppert has never looked more beautiful. Despite her severe expression and lack of makeup, her face communicates enormous character. She proves absolutely spellbinding.- New Times (L.A.)
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- Jean Oppenheimer
The voice acting is adequate, but it fails to convey the diversity or personality of "Chicken Run" or "Shrek."- Dallas Observer
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- Jean Oppenheimer
The film takes an incredibly wrong turn when it shifts to the courtroom trial -- It all but kills any goodwill Silberling has engendered up to this point.- New Times (L.A.)
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- Jean Oppenheimer
Devotees of the comedienne presumably will think they have died and gone to heaven, while Cho virgins may laugh aloud a half-dozen times but probably won't become converts.- Dallas Observer
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- Jean Oppenheimer
Proves a lovely, sweet alternative for audiences fed up with the latest hell-on-wheels action thriller or the newest horror film comedy spoof.- New Times (L.A.)
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- Jean Oppenheimer
If Campion has a message in all this -- something about the eternal battle of the sexes -- it is far from clear.- Dallas Observer
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- New Times (L.A.)
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- Jean Oppenheimer
Adding to the film's underlying sense of urgency and unease is composer Robert Miller's haunting score, so reminiscent of Philip Glass' music for "The Fog of War."- Dallas Observer
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- Jean Oppenheimer
Certainly a terrific sense of urgency underlies the story and Tom's desperation over Claire is palpable, but that may not be enough for viewers who actually like to understand how the riddle is unraveling.- New Times (L.A.)
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- Jean Oppenheimer
A small story, with fewer lofty ambitions than its lead character, the film runs out of steam at a certain point. Overall, its leisurely pace and lack of overt action will bore some filmgoers, while the movie's final section, during which Ganesh pursues his political aspirations, feels strangely hurried and less satisfying than the rest of the story.- New Times (L.A.)
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- Dallas Observer
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- Jean Oppenheimer
Sails by on cute dialogue, some funny visual gags, and two enormously likable leads.- Dallas Observer
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- Jean Oppenheimer
A wobbly Basinger and a feeble screenplay doom I Dreamed of Africa.- Dallas Observer
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- Jean Oppenheimer
Audiences will leave the theater ready to sign up for some dance classes themselves.- Dallas Observer
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- Jean Oppenheimer
Never rises above the level of a 1950s-era adolescent romance novel.- New Times (L.A.)
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- Jean Oppenheimer
In her first major role, Ferrera is amazing -- It is a wonderfully natural performance. To top it all off, she and Ontiveros are completely believable as mother and daughter.- Dallas Observer
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- Jean Oppenheimer
While too many things about the story don't ring true for the film as a whole to work, there is enough in Next Stop Wonderland to keep the viewer wide awake and entertained.- Dallas Observer
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- Jean Oppenheimer
Rich in story, character, and design, The Cider House Rules is obviously a collaborative effort, but above all it is a triumph for director Hallström.- Dallas Observer
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- Jean Oppenheimer
Packs an unexpected emotional wallop. Gavin Hood's film tells a story of violence and redemption that's even more remarkable when you consider that neither of the lead performers had ever acted in a movie previously.- Dallas Observer
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- Dallas Observer
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- Dallas Observer
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- Jean Oppenheimer
That the film is good rather than great proves a disappointment, but just finding a good film these days is rare, especially a big studio picture.- Dallas Observer
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- Jean Oppenheimer
Given the great premise and characters inherited from the first film, it's surprising that this sequel fails to match its predecessor's appeal. The humor is silly, broad, and surprisingly generic.- Dallas Observer
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- Jean Oppenheimer
While Sollett provided cast members with a detailed breakdown of the story--a kind of narrative guide--he wanted them to improvise their own dialogue based on how they would react to a similar situation in their own lives....The result is quite extraordinary.- Dallas Observer
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- Jean Oppenheimer
Using humor to make a serious point, Arau suggests that without the millions of Hispanics...life in the Golden State would screech to a halt.- Dallas Observer
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- Jean Oppenheimer
Pak's writing has a simplicity that belies the film's emotional impact.- Dallas Observer
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