Jean Oppenheimer

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For 144 reviews, this critic has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 1.8 points lower than other critics. (0-100 point scale)

Jean Oppenheimer's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Donnie Darko
Lowest review score: 0 Superbabies: Baby Geniuses 2
Score distribution:
  1. Positive: 81 out of 144
  2. Negative: 14 out of 144
144 movie reviews
    • 75 Metascore
    • 80 Jean Oppenheimer
    A character study, the film succeeds in large measure due to the kinetically charged performance of Romain Duris.
    • 79 Metascore
    • 90 Jean Oppenheimer
    Emotionally gripping from start to finish, the movie presents an electrifying and unforgettable look at life in a place that God has all but forgotten.
    • 80 Metascore
    • 70 Jean Oppenheimer
    The story itself is absolutely amazing, and the sense of outrage it evokes is universal, but director Noyce faces a difficult task in that once the story is set in motion there is very little action, other than walking shots of the girls, and almost no dialogue.
    • 43 Metascore
    • 20 Jean Oppenheimer
    Meet Joe Black takes an interesting idea--Death assumes human form and comes to earth to learn about human existence--and reduces it to a flat, uninspired, interminably slow movie.
    • 79 Metascore
    • 80 Jean Oppenheimer
    Huppert has never looked more beautiful. Despite her severe expression and lack of makeup, her face communicates enormous character. She proves absolutely spellbinding.
    • New Times (L.A.)
    • 45 Metascore
    • 50 Jean Oppenheimer
    The voice acting is adequate, but it fails to convey the diversity or personality of "Chicken Run" or "Shrek."
    • 59 Metascore
    • 60 Jean Oppenheimer
    The film takes an incredibly wrong turn when it shifts to the courtroom trial -- It all but kills any goodwill Silberling has engendered up to this point.
    • New Times (L.A.)
    • 81 Metascore
    • 60 Jean Oppenheimer
    Devotees of the comedienne presumably will think they have died and gone to heaven, while Cho virgins may laugh aloud a half-dozen times but probably won't become converts.
    • 46 Metascore
    • 70 Jean Oppenheimer
    Proves a lovely, sweet alternative for audiences fed up with the latest hell-on-wheels action thriller or the newest horror film comedy spoof.
    • 57 Metascore
    • 40 Jean Oppenheimer
    If Campion has a message in all this -- something about the eternal battle of the sexes -- it is far from clear.
    • 85 Metascore
    • 80 Jean Oppenheimer
    An extraordinary film from a born filmmaker.
    • 68 Metascore
    • 70 Jean Oppenheimer
    Adding to the film's underlying sense of urgency and unease is composer Robert Miller's haunting score, so reminiscent of Philip Glass' music for "The Fog of War."
    • 64 Metascore
    • 60 Jean Oppenheimer
    Certainly a terrific sense of urgency underlies the story and Tom's desperation over Claire is palpable, but that may not be enough for viewers who actually like to understand how the riddle is unraveling.
    • 64 Metascore
    • 60 Jean Oppenheimer
    A small story, with fewer lofty ambitions than its lead character, the film runs out of steam at a certain point. Overall, its leisurely pace and lack of overt action will bore some filmgoers, while the movie's final section, during which Ganesh pursues his political aspirations, feels strangely hurried and less satisfying than the rest of the story.
    • New Times (L.A.)
    • 33 Metascore
    • 50 Jean Oppenheimer
    Fame this film ain't.
    • 56 Metascore
    • 70 Jean Oppenheimer
    Sails by on cute dialogue, some funny visual gags, and two enormously likable leads.
    • 33 Metascore
    • 20 Jean Oppenheimer
    A wobbly Basinger and a feeble screenplay doom I Dreamed of Africa.
    • 52 Metascore
    • 80 Jean Oppenheimer
    Audiences will leave the theater ready to sign up for some dance classes themselves.
    • 48 Metascore
    • 40 Jean Oppenheimer
    Never rises above the level of a 1950s-era adolescent romance novel.
    • 71 Metascore
    • 80 Jean Oppenheimer
    In her first major role, Ferrera is amazing -- It is a wonderfully natural performance. To top it all off, she and Ontiveros are completely believable as mother and daughter.
    • 71 Metascore
    • 70 Jean Oppenheimer
    While too many things about the story don't ring true for the film as a whole to work, there is enough in Next Stop Wonderland to keep the viewer wide awake and entertained.
    • 75 Metascore
    • 80 Jean Oppenheimer
    Rich in story, character, and design, The Cider House Rules is obviously a collaborative effort, but above all it is a triumph for director Hallström.
    • 70 Metascore
    • 80 Jean Oppenheimer
    Packs an unexpected emotional wallop. Gavin Hood's film tells a story of violence and redemption that's even more remarkable when you consider that neither of the lead performers had ever acted in a movie previously.
    • 64 Metascore
    • 80 Jean Oppenheimer
    Emotionally powerful.
    • 65 Metascore
    • 70 Jean Oppenheimer
    Explores a wealth of issues and conflicting ideologies.
    • 72 Metascore
    • 70 Jean Oppenheimer
    That the film is good rather than great proves a disappointment, but just finding a good film these days is rare, especially a big studio picture.
    • 32 Metascore
    • 40 Jean Oppenheimer
    Given the great premise and characters inherited from the first film, it's surprising that this sequel fails to match its predecessor's appeal. The humor is silly, broad, and surprisingly generic.
    • 83 Metascore
    • 90 Jean Oppenheimer
    While Sollett provided cast members with a detailed breakdown of the story--a kind of narrative guide--he wanted them to improvise their own dialogue based on how they would react to a similar situation in their own lives....The result is quite extraordinary.
    • 30 Metascore
    • 50 Jean Oppenheimer
    Using humor to make a serious point, Arau suggests that without the millions of Hispanics...life in the Golden State would screech to a halt.
    • 66 Metascore
    • 70 Jean Oppenheimer
    Pak's writing has a simplicity that belies the film's emotional impact.

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