Harper Barnes

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For 94 reviews, this critic has graded:
  • 68% higher than the average critic
  • 3% same as the average critic
  • 29% lower than the average critic
On average, this critic grades 0.5 points higher than other critics. (0-100 point scale)

Harper Barnes' Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 The Age of Innocence
Lowest review score: 25 Color of Night
Score distribution:
  1. Positive: 63 out of 94
  2. Negative: 14 out of 94
94 movie reviews
    • 53 Metascore
    • 38 Harper Barnes
    Rookie of year strikes out in the laughs department. [09 Jul 1993, p.3D]
    • St. Louis Post-Dispatch
    • 48 Metascore
    • 38 Harper Barnes
    PRESUMABLY this zombie flick is supposed to be funny, since it's about as scary as "Little Women." [18 Jan 1995, p.6F]
    • St. Louis Post-Dispatch
    • 53 Metascore
    • 38 Harper Barnes
    A turgid, overlong comedy. [19 July 1996, p.3E]
    • St. Louis Post-Dispatch
    • 57 Metascore
    • 38 Harper Barnes
    Reeves seems less blissed out than conked out, as if he had sustained a heavy blow from a loose surfboard. [27 May 1994, p.3H]
    • St. Louis Post-Dispatch
    • 47 Metascore
    • 25 Harper Barnes
    The new Clint Eastwood movie, Pink Cadillac, might approach mediocrity if it were about half an hour shorter. At almost two hours, it is, to paraphrase a line in the movie, Snooze City. [26 May 1989, p.3F]
    • St. Louis Post-Dispatch
    • 38 Metascore
    • 38 Harper Barnes
    In this year's stupid sexy screamer, Sliver, [Stone] tries to reveal some of her character's mind. But there's nothing in there but cotton candy and foggy images from old soap operas. [23 May 1993, p.12C]
    • St. Louis Post-Dispatch
    • 36 Metascore
    • 25 Harper Barnes
    This summer's first really bad major movie has finally arrived, and it's time to celebrate. There's been a lot of mediocrity, but until Color of Night there'd been nothing deeply rotten on the grand scale of "Last Action Hero" or "Hudson Hawk." [19 Aug 1994, p.9F]
    • St. Louis Post-Dispatch
    • 36 Metascore
    • 25 Harper Barnes
    Harley Davidson and the Marlboro Man is a terrible movie. For the first 20 minutes or so, it is so far over the top in its pseudo-mythic urban cowboy way that it is at least entertainingly terrible. [23 Aug 1991, p.3F]
    • St. Louis Post-Dispatch
    • 46 Metascore
    • 38 Harper Barnes
    This droll, leisurely paced movie might alternately be titled "The Only Good Man in Africa." [09 Sep 1994, p.3F]
    • St. Louis Post-Dispatch
    • 40 Metascore
    • 25 Harper Barnes
    The suspense trickles out of A Kiss Before Dying in the first 10 or 15 minutes, and the movie just lies there until the final 10 or 15 minutes. Writer-director James Dearden tries to inject life into the long, slow middle with blood, breasts and buttocks, but we never sense that any of these attributes belongs to actual breathing human beings. [26 Apr 1991, p.5F]
    • St. Louis Post-Dispatch
    • 70 Metascore
    • 38 Harper Barnes
    The overt sexuality of Madonna's stage show, particularly the lengthy exercise in self-stimulation called Like a Virgin, as well as the sometimes startling bluntness of her talk, keeps the movie from being totally boring. But this kind of trash can only sustain itself for so long - for most of us, about as long as it takes to get through the line at a supermarket. [17 May 1991, p.3F]
    • St. Louis Post-Dispatch
    • 45 Metascore
    • 25 Harper Barnes
    The Good Son is cheaply manipulative in a way that can make you angry. [24 Sep 1993, p.3EV]
    • St. Louis Post-Dispatch
    • 27 Metascore
    • 38 Harper Barnes
    The movie is going to make a lot of people mad, too - the ones who liked the book. If you missed Tom Wolfe's scathingly satirical best seller about the greedy society of the 1980s, you will probably find yourself bored by the tepid, badly miscast screen version. You may leave the theater a little confused as to why there was so much controversy during the filming of what turns out to be a silly, almost innocuous Hollywood farce. [21 Dec 1990, p.3F]
    • St. Louis Post-Dispatch
    • 19 Metascore
    • 38 Harper Barnes
    A FEW mildly erotic soft-core sex scenes separated by long stretches of very pretentious, bad dialogue and some travelogue shots of Carnival in Rio: That's about it for Wild Orchid. [25 May 1990, p.6F]
    • St. Louis Post-Dispatch

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