Gary Garrison

Select another critic »
The Playlist
For 37 reviews, this critic has graded:
  • 51% higher than the average critic
  • 0% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 3.7 points higher than other critics. (0-100 point scale)

Gary Garrison's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 91 Midnight Traveler
Lowest review score: 33 Death Note
Score distribution:
  1. Positive: 28 out of 37
  2. Mixed: 8 out of 37
  3. Negative: 1 out of 37
37 movie reviews
view
per page
    • 74 Metascore
    • 67 Gary Garrison
    Land and Shade
    This lack of visual energy, combined with the choice to forgo a score, leaves little to buoy the moments needed to propel the film toward its inevitable close. But where Land And Shade shines is in its outrage, and the heartbroken fury at the center of the film.
    • 58 Metascore
    • 50 Gary Garrison
    L'Attesa (The Wait)
    What The Wait really needs is more: more story, more character, and more reason to grieve with these women. Because what these women have to grieve is worthy of time and attention, yet these qualities are frustratingly absent from this film.
    • tbd Metascore
    • 67 Gary Garrison
    Admiral
    For all the elements that don’t mesh naturally, Admiral still manages to be intermittently engaging and fitfully exciting.
    • 78 Metascore
    • 67 Gary Garrison
    The Last Man on the Moon
    Beautifully shot and edited, with incredible archival footage throughout, and compellingly scored, The Last Man On The Moon is, more than anything else, an engaging look back at one of the most exciting times in American history.
    • 47 Metascore
    • 67 Gary Garrison
    MI-5
    MI-5 is no action b-movie classic, but it manages to weave a complex and compelling narrative knot, mix in some absorbing musings about the nature of doing right and following orders, and pack in some nail-biting shoot outs.
    • 63 Metascore
    • 75 Gary Garrison
    Flowers
    Letting such a film slip into the melodramatic could have been very easy. But Garaño and Goenaga tactfully navigate the delicacies of death and the difficulties (and guilt) of life with a quiet poise that make for a film that is as enriching as it is disheartening.
    • 81 Metascore
    • 67 Gary Garrison
    Loveling
    Loveling is often awkwardly paced and unintentionally directionless, which hampers some of the tension of the most important scenes. Which is a shame, because Teles as Irene is phenomenal and some of her finest moments feel squandered.
next
Page:

Top Trailers

See all »
See all trailers »