Ferdosa Abdi

Plankton: The Movie is a gem. Fans of the original series and fans born along the way will enjoy it immensely.

There aren't any surprises, and all that we are left with is a little bit of satisfaction and underlying curiosity as to why this movie was worth investing in.

It's a visceral experience, though it doesn't reach those epic highs because the romance, while it works on paper, doesn't quite materialize as expected.

Ultimately, Inheritance is a fairly good attempt to branch out into different technical abilities within the spy thriller genre. Hopefully, this method and films like Inheritance continue to inspire such attempts.

It's not outright terrible, but it's nothing to get too excited about, either. There's even a sweet subplot about mother and daughters and familial trust. It's an overall cute family movie and anyone who adores Diaz and Foxx will find a way to enjoy it.

The film, comprised of over 20 stories, is a cry for help. A cry for humanity. A cry for justice.

Ultimately, the film has some heartfelt moments and themes, and while dark and violent, it is, in the end, an uplifting story about family, legacy, and hope.

We get two influential actors reuniting on the big screen in a film that is comparable to their acting gifts.

What really makes That Christmas such a joy to experience is the colorful details, from the writing to the scenery to the set and character designs to the atmosphere.

Despite subverting expectations and being edgy in its approach, the lack of energy and fearlessness keeps this story from reaching its full potential. Weiss's directorial debut is not a dud, but charm can only get you so far.

Elevation comes across as a mild copycat rather than a compelling project that stands on its own merits.

The film effectively illustrates how hazing is not singularly a university issue.

This particular narrative is a sound idea but for a documentary instead.

The film has two major things going for it: Goldstein and Poots' casting and their characters' chemistry. The only thing that fully captures our attention from beginning to end is Laura and Simons’ undeniable spark and charming banter.

I don’t go out of my way to drag films, as there is so much time and effort put into every project, and a film of this caliber was likely made with the best of intentions. But intending to craft a pitch-black dark crime comedy is different from actually executing one well. And Riff Raff just doesn't land.

For all its flaws, The Deb is hilarious and entertaining. The music is infectious.

The film is outstanding in almost every regard. It's an uplifting, hilarious, gut-wrenching, and stunning animated adventure that reaffirms the power of a parent's love.

This story isn't the flashiest werewolf tale, but it is worth seeing thanks to a fresh perspective. As flawed as the story may be, the story from a child's eyes offers a new and unique entry point for the subgenre.

The Eternal City struggles with finding the tonal balance between a child-friendly action-comedy and an adult-appropriate action-comedy.

The film manages to be a very straightforward horror, but the lackluster character work diminishes whatever good comes from its genre shift, and the shift is substantial.

The return of Axel will satisfy fans of the franchise, and it might encourage those who are just tuning in to watch the original trilogy, if only to watch one of Murphy’s most significant roles from the 80s, a true golden era for the multi-hyphenate entertainer.

The Devil's Bath is bleak but well worth the watch, especially if you like being guided down Franz and Fiala's dark, twisted rabbit hole.

Much like The Mother, Trigger Warner is all setup with little payoff. The emotional sentiments are effective but drawn out in uninteresting ways, and Alba, a capable actress, is not nearly as charismatic as the middling script requires her to be.

Krieps has such a clear vision of who Vivienne is when she isn’t the object of romance, violence or intolerance. Her quirks and quiet dominance ultimately shift the film toward the direction Mortensen thought he was headed.

Mother of the Bride's success rests on the filmmakers' abilities to not oversell anything and trust that the collective charisma of the assembled cast will do what it needs to do — and it does, though a flimsy script and one major miscast can be distracting.

It's entertaining, and there are a few chuckles to be had. One can appreciate the referential and situational humor as they are timely and apt for the characters. Lester and Gentry are a winning combo.

From its compelling topic choice, a star-making lead role, stellar ensemble cast, and crafty execution, Música is a must-see.

Laymon expertly crafts a narrative that feels as universal as it is unique. This film embraces a hopeful path, expressing with absolute sincerity that believing in the humanity of others is essential to healing.