Elise Nakhnikian

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For 99 reviews, this critic has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 6.6 points lower than other critics. (0-100 point scale)

Elise Nakhnikian's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 88 Nuts!
Lowest review score: 12 Taken 3
Score distribution:
  1. Positive: 58 out of 99
  2. Negative: 25 out of 99
99 movie reviews
    • 44 Metascore
    • 38 Elise Nakhnikian
    The film doesn't do much to satirize the spy genre, instead using its flimsy plot mostly as a scaffolding for a barrage of jokes.
    • 43 Metascore
    • 38 Elise Nakhnikian
    The film is a hokily melodramatic rise-fall-redemption story with a mostly unearned patina of greater significance.
    • 42 Metascore
    • 25 Elise Nakhnikian
    Everything in the by-the-numbers script signals that Adam must transform himself from and abusive tyrant in the kitchen to the head of a loving and fully functional family.
    • 41 Metascore
    • 12 Elise Nakhnikian
    Breaking the laws of human nature is an ancient comic convention, but it only works when it leads to a laugh.
    • 40 Metascore
    • 25 Elise Nakhnikian
    Nearly everything in Taylor Hackford's tin-eared comedy is as ersatz as the Robert De Diro character's rage is real.
    • 34 Metascore
    • 50 Elise Nakhnikian
    If The Tree of Life was a contemplation of the universal mysteries and verities of life, The Color of Time is an hour spent scrolling through a stranger's family album.
    • 30 Metascore
    • 25 Elise Nakhnikian
    As is often the case in films like this, Seventh Son is at its weakest when it tries to leaven its brink-of-disaster gravity with a little nerdy humor.
    • 26 Metascore
    • 12 Elise Nakhnikian
    Empowerment porn for those who long for the Cold War's clarity of purpose and American dominance in this murky age of terror.
    • tbd Metascore
    • 63 Elise Nakhnikian
    It's mercifully free of the ruin-porn shots that turn so many contemporary films about struggling cities into self-consciously arty exercises in the romanticization of decay.

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