Elise Nakhnikian

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For 99 reviews, this critic has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 6.6 points lower than other critics. (0-100 point scale)

Elise Nakhnikian's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 88 Nuts!
Lowest review score: 12 Taken 3
Score distribution:
  1. Positive: 58 out of 99
  2. Negative: 25 out of 99
99 movie reviews
    • 72 Metascore
    • 50 Elise Nakhnikian
    The film’s visceral pleasures often work at cross purposes with the cerebral message of the manifestos.
    • 63 Metascore
    • 50 Elise Nakhnikian
    The film is a debater with some interesting points to make but no overall argument to contain them.
    • 47 Metascore
    • 50 Elise Nakhnikian
    Jared Hess's film turns out to be a succession of failed jokes punctuated by a few cathartic laughs.
    • 71 Metascore
    • 50 Elise Nakhnikian
    The film champions coddling people like Florence Foster Jenkins and treats critical thinking as the enemy.
    • 67 Metascore
    • 50 Elise Nakhnikian
    There's real texture and emotional heft to the central relationship between the siblings, but that's thanks more to the actors than the script.
    • 65 Metascore
    • 50 Elise Nakhnikian
    The premise is undermined by the film's occasionally dubious ethics and its tendency to soft-pedal the dangerous situations it sets up.
    • 56 Metascore
    • 50 Elise Nakhnikian
    This is a complication-smoothing take on Jesse Owens's elegant riposte to Hitler's racism at the 1936 Berlin Olympics.
    • 62 Metascore
    • 50 Elise Nakhnikian
    The film is a thinly dramatized series of arguments against, then ultimately in favor of the medication of bipolar disorder.
    • 64 Metascore
    • 50 Elise Nakhnikian
    Less a character study than an impressionistic portrait of a troubled artist's internal chaos, it supplies just enough Miles Davis to leave us jonesing for more.
    • 67 Metascore
    • 50 Elise Nakhnikian
    The film is only slightly dependent on the self-pity that informed Asia Argento's last effort, The Heart Is Deceitful Above All Things, but it feels similarly airless.
    • 71 Metascore
    • 50 Elise Nakhnikian
    The film all leads to a melodramatic climax that wraps up the main character's explosive acting out in a too-neat package.
    • 63 Metascore
    • 50 Elise Nakhnikian
    Any hope of meaningful reflection or insight is doused by a steady drip of often redundant and banal observations.
    • 49 Metascore
    • 50 Elise Nakhnikian
    The film is a study of grief that drowns in a cold bath of grim self-pity.
    • 34 Metascore
    • 50 Elise Nakhnikian
    If The Tree of Life was a contemplation of the universal mysteries and verities of life, The Color of Time is an hour spent scrolling through a stranger's family album.
    • 55 Metascore
    • 50 Elise Nakhnikian
    The film is rife with tired food metaphors and plot twists so predictable you see them coming like travelers on the poplar-lined street that leads to the dueling restaurants.
    • 62 Metascore
    • 50 Elise Nakhnikian
    Even at 74 minutes, the documentary comes to feel arduous in its recycling of the same points and imagery, the filmmaking as plodding as its subject is polished.

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