Edward Frumkin

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The Film Stage
For 7 reviews, this critic has graded:
  • 28% higher than the average critic
  • 14% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 4.6 points higher than other critics. (0-100 point scale)

Edward Frumkin's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 91 Mambar Pierrette
Lowest review score: 42 Sorry/Not Sorry
Score distribution:
  1. Positive: 5 out of 7
  2. Mixed: 2 out of 7
  3. Negative: 0 out of 7
7 movie reviews
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    • tbd Metascore
    • 75 Edward Frumkin
    Spermworld
    Whatever you take out of this Rorschach test, Oppenheim’s lens elucidates the organic nature of relationships and how no one can force life. Time is your friend to fully experience the process.
    • 80 Metascore
    • 83 Edward Frumkin
    Union
    The filmmakers do not dive into the protagonists’ lives or elucidate if any form of progress was made after the wins. Maing and Story show that the outcome is the beginning of a generational fight for companies to properly value the labor that keeps them running.
    • tbd Metascore
    • 91 Edward Frumkin
    Mambar Pierrette
    Mbakam’s minimalist aesthetics demolish the binary between nonfiction and fiction to reflect Pierrette’s flawed, humane intentions across the nurturers from many settings.
    • 78 Metascore
    • 58 Edward Frumkin
    The Remarkable Life of Ibelin
    Ibelin thoroughly traces Mats’ existence with talking-head interviews, family home footage, original animations of Warcraft characters, a narrator reading his posts, his handwritten video game dialogue, and a mix of animation movements and character descriptions. These techniques allow Ree to symphonically center the subject without relegating family and peers to representatives
    • 75 Metascore
    • 75 Edward Frumkin
    Stamped from the Beginning
    Stamped is an inspection of America’s social hierarchies and its ongoing divisions.
    • 61 Metascore
    • 42 Edward Frumkin
    Sorry/Not Sorry
    Mones and Suh’s missed questions and editing tactics make Sorry/Not Sorry a shallow, reductive portrait into demystifying the myth of cancel culture.
    • tbd Metascore
    • 67 Edward Frumkin
    A Woman Escapes
    Ultimately, A Woman Escapes harkens vivid emotions to 2020 and yearns for the need to form a tight-knit community––abroad or nearby––in the name of loneliness.

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