Dominick Suzanne-Mayer

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Consequence
For 194 reviews, this critic has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 0.5 points higher than other critics. (0-100 point scale)

Dominick Suzanne-Mayer's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 American Honey
Lowest review score: 0 Hillary's America: The Secret History of the Democratic Party
Score distribution:
  1. Positive: 124 out of 194
  2. Mixed: 40 out of 194
  3. Negative: 30 out of 194
194 movie reviews
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    • 38 Metascore
    • 25 Dominick Suzanne-Mayer
    All Eyez on Me
    All Eyez on Me is the opposite of an ideal biopic.
    • 32 Metascore
    • 25 Dominick Suzanne-Mayer
    Independence Day: Resurgence
    A curiously loud and ugly beast of a sequel.
    • 23 Metascore
    • 25 Dominick Suzanne-Mayer
    Collateral Beauty
    It is not a bad film because of its sincerity of intention. It’s a bad film because it manages to make that sincerity feel disingenuous as it goes on, more and more so with each passing scene.
    • 37 Metascore
    • 25 Dominick Suzanne-Mayer
    Fist Fight
    What’s most unfortunate about Fist Fight is the wealth of talent it amasses for little to no discernible purpose.
    • 21 Metascore
    • 25 Dominick Suzanne-Mayer
    Geostorm
    Geostorm finds itself in the curious position of simultaneously taking itself too seriously and not enough so. It’s a disaster movie far too ridiculous to generate any real gravitas, but it’s also just glum enough to suck any fun out of watching the beaches of Rio de Janeiro freeze over in an instant.
    • 43 Metascore
    • 25 Dominick Suzanne-Mayer
    Death Note
    In adapting Death Note for a presumably American audience, Wingard loses the whole of its identity, and never finds a different one with which to replace it.
    • 22 Metascore
    • 25 Dominick Suzanne-Mayer
    God's Not Dead 2
    There is a tone of anger that sneaks out of the film in even its moments of levity.
    • 29 Metascore
    • 25 Dominick Suzanne-Mayer
    Peppermint
    If Peppermint has one thing going for it, and it’s by and large the only one, it’s Garner.
    • 32 Metascore
    • 25 Dominick Suzanne-Mayer
    Robin Hood
    There’s nothing particularly memorable about Robin Hood even when you’re laughing at it, and that may be one of the saddest fates a movie can meet.
    • 39 Metascore
    • 16 Dominick Suzanne-Mayer
    Jigsaw
    By now, you likely already know whether or not Jigsaw is for you. The series is nothing if not consistent, but the diminishing returns that led to its near-decade hiatus only continue here.
    • 27 Metascore
    • 16 Dominick Suzanne-Mayer
    Transformers: The Last Knight
    While the flagrant product placement is dialed back (at least on Bay’s curve) and there’s mercifully 100% less discussion of sexual consent laws this time around, the latest outing suffers from arguably the most fatal flaw a movie about giant fighting robots can: it’s brutally and relentlessly boring from start to finish.
    • 24 Metascore
    • 16 Dominick Suzanne-Mayer
    Gotti
    When the film isn’t simply boring, it becomes unintentionally hilarious in its occasionally inept production.
    • 24 Metascore
    • 16 Dominick Suzanne-Mayer
    Holmes & Watson
    When people talk about Hollywood movies feeling more and more like product, this is what they’re driving at.
    • 2 Metascore
    • 0 Dominick Suzanne-Mayer
    Hillary's America: The Secret History of the Democratic Party
    Hillary’s America is repugnant, and while it exists to get people who stand against it yelled at as much as anything, it’s essential that D’Souza not simply be written off as a hack pandering to a willing and lucrative audience regardless of the moral implications, though he is. D’Souza peddles the kind of “media” that’s become cancerous to the country he unyieldingly purports to worship.
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