Diana Clarke

With the facts so poignant, there's little that needs dramatizing.

Because the battle for legalization is still being fought in most other states, the lack of an up-to-date perspective is frustrating.

Driving both the filmmaker and her subjects is wonder and wanderlust. Their enthusiasm for the Camino is contagious, and it might make you drop everything and head for Spain.

Fleifel gathers the messy detritus of everyday living, laughs at it, then shows the viewer what it means.

What Yeger stirs up is profoundly unsettling and deeply moving.

This very serious film sometimes feels like a farce.

Ben-Ari elegantly conveys the crippling social pressures that arise when a woman suggests that she might be allowed agency over her own body and that of her child, without adding any words of her own.

On treks through the city, camera in hand, Weber's expertise, tenderness, and taste for the absurd become clear. Wechsler runs with it, interspersing decades of Weber's often gritty photographs with expert cinematography.

An enraging portrait of entrenched sexism in competitive sports that proves parity is worth fighting for.

The Jewish Cardinal uses the luscious pleasures of the everyday to underscore and endure the big questions of identity, humanity, and home.

Harris is wistful, funny, and articulate about his romantic neuroses and insecurities... Unfortunately, he sometimes fails to go deeper.

This particular rendition of a history often told is little more than propaganda.

There's never enough information.

It's a movie that thinks it stands for openness and cultural understanding, underneath the poop jokes, when in fact it manages to be offensive to almost everyone, including people who like to laugh at something because it's funny, not just because it makes us uncomfortable.

Lilti tells a fine story, but he doesn't always look closely enough at what he's saying.