For 77 reviews, this critic has graded:
  • 70% higher than the average critic
  • 6% same as the average critic
  • 24% lower than the average critic
On average, this critic grades 6.6 points higher than other critics. (0-100 point scale)

Diana Clarke's Scores

  • Movies
  • TV
Average review score: 72
Highest review score: 100 Hooligan Sparrow
Lowest review score: 10 Jewtopia
Score distribution:
  1. Positive: 58 out of 77
  2. Negative: 3 out of 77
77 movie reviews
    • 73 Metascore
    • 80 Diana Clarke
    Dukhtar is an issues film with the twisted, heart-pounding feel of a road-trip thriller, but Nathaniel based her script on a true story, and there's a low-key quality to the conversations that feels real, intimate, and all the more urgent for it.
    • tbd Metascore
    • 90 Diana Clarke
    A dance is not only motion, but emotion. This fascinating film reminds us how closely the two are linked.
    • 78 Metascore
    • 80 Diana Clarke
    [A] fascinating, unnerving documentary.
    • tbd Metascore
    • 70 Diana Clarke
    At least the filmmakers are Jewish — and in their admirable quest for an understanding of what makes good sex and relationships, they've created a mightily silly but occasionally insightful, and certainly entertaining, film.
    • tbd Metascore
    • 50 Diana Clarke
    The short documentary On Beauty is all surfaces, skimming, lightness, flash.
    • 69 Metascore
    • 70 Diana Clarke
    Deraspe returns specificity, intimacy, and human weirdness to this international scandal.
    • 60 Metascore
    • 80 Diana Clarke
    It's rare to find a film that portrays dancers of all shapes, colors, ages, and sizes as beautiful, which they are.
    • 75 Metascore
    • 90 Diana Clarke
    This film does not pander. Rather, it demands that the viewer rise to the occasion.
    • 54 Metascore
    • 60 Diana Clarke
    This strange, quiet film takes social narratives about romance and gender and upends them, often seeming like one thing until it's another.
    • 59 Metascore
    • 80 Diana Clarke
    This movie about violence and how it comes into intimate spaces refuses to make even animals only animal. It's beautiful and important and very strange.
    • 61 Metascore
    • 70 Diana Clarke
    The Yes Men visit rural Uganda, Canadian oil fields, Zuccotti Park, and a climate change conference in Copenhagen, but in its best moments this loopy yet informative doc becomes a buddy movie.
    • 72 Metascore
    • 90 Diana Clarke
    This film is a wakeup call in the best sense: urgent, clear, understated.
    • 59 Metascore
    • 60 Diana Clarke
    Fowler's work is bureaucratic, institutional, Western-focused. Which shouldn't matter, because it's good work, but as a story of salvation it feels too familiar.
    • 75 Metascore
    • 90 Diana Clarke
    It's a fault of feminism, of artistry, of generosity, for the older woman to envy one younger. And yet. How do we escape the myths into which we are born? We tell them, and show the hard work of telling.
    • 63 Metascore
    • 70 Diana Clarke
    López is a singularly tender, compelling, and articulate campaigner in this high-stakes struggle for justice, filmed with the urgency and suspense of a Hitchcock thriller.
    • tbd Metascore
    • 20 Diana Clarke
    It's laugh-out-loud silly if you're in the mood, but mostly embarrassing. Science could certainly use more philosophy, but not at the expense of dignity, never mind common sense.
    • 63 Metascore
    • 80 Diana Clarke
    [A] bizarre and wonderful doc that's pitched like a home movie but crafted with fine, poignant sensibilities.
    • 74 Metascore
    • 90 Diana Clarke
    What a relief to watch this small, expert film — a pane of glass in a concrete wall — that whispers, that dares to stand still and witness ordinary human pain.
    • 50 Metascore
    • 40 Diana Clarke
    For a film whose central motif is dance, there's remarkably little dancing done onscreen, and though Rowland and her co-star share moments of tender, revealing conversation, the movie is ultimately underwhelming, its emotional range as limited as that of its characters.
    • 33 Metascore
    • 60 Diana Clarke
    It's too rare for movies to depict women working together as friends to effect political change, and this one makes it seem righteous, loud, and fun as a rock concert. Free the Nipple won't change the conversation, but it might help start one.
    • 46 Metascore
    • 70 Diana Clarke
    It can be unsettling, for regular documentary viewers, to take in a film so relentlessly optimistic, communal, and lacking in nostalgia, but those qualities were key to the success of the women of Biolley.
    • 56 Metascore
    • 90 Diana Clarke
    Monk With a Camera hints at answers, but imposes nothing. Like a good photograph, or a wise abbot, it only presents the evidence and allows us to arrive at truth.
    • tbd Metascore
    • 70 Diana Clarke
    Despite its context in a global conflict, Uprising is a strangely intimate film.
    • tbd Metascore
    • 90 Diana Clarke
    Urgent, deeply painful yet lovely in its aesthetics.
    • tbd Metascore
    • 60 Diana Clarke
    The documentary can sometimes feel like a video game, with cartoonish pinging graphics, but the real-life consequences of digital activity, from arrests to CIA monitoring and a total lack of privacy for ordinary citizens, heighten its stakes.
    • 78 Metascore
    • 90 Diana Clarke
    Lipper does an excellent job of using her film as a vehicle for the voices and concerns of Nigerians, and especially of Nigerian women, who are traditionally expected to stay at home while men operate in the public sphere. But Lipper does not limit her camera to political struggles.
    • tbd Metascore
    • 70 Diana Clarke
    The filmmakers assume, rightly for the most part, that viewers will be invested in the origin story and power struggles at the start-up MakerBot, one of the first companies to make and sell 3-D printers to the public.
    • 56 Metascore
    • 70 Diana Clarke
    [A] compelling and cogent documentary.
    • tbd Metascore
    • 90 Diana Clarke
    [A] gorgeous and unsettling documentary.
    • tbd Metascore
    • 70 Diana Clarke
    Vail's film earnestly interrogates authenticity even as her camera lingers on a beach without footprints, inviting the viewer to walk.

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