Diana Clarke
Select another critic »For 77 reviews, this critic has graded:
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70% higher than the average critic
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6% same as the average critic
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24% lower than the average critic
On average, this critic grades 6.6 points higher than other critics.
(0-100 point scale)
Diana Clarke's Scores
- Movies
- TV
| Average review score: | 72 | |
|---|---|---|
| Highest review score: | Hooligan Sparrow | |
| Lowest review score: | Jewtopia | |
Score distribution:
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Positive: 58 out of 77
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Mixed: 16 out of 77
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Negative: 3 out of 77
77
movie
reviews
- By Date
- By Critic Score
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- Diana Clarke
Dukhtar is an issues film with the twisted, heart-pounding feel of a road-trip thriller, but Nathaniel based her script on a true story, and there's a low-key quality to the conversations that feels real, intimate, and all the more urgent for it.- Village Voice
- Posted Oct 8, 2015
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- Diana Clarke
A dance is not only motion, but emotion. This fascinating film reminds us how closely the two are linked.- Village Voice
- Posted Sep 8, 2015
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- Village Voice
- Posted Sep 8, 2015
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- Diana Clarke
At least the filmmakers are Jewish — and in their admirable quest for an understanding of what makes good sex and relationships, they've created a mightily silly but occasionally insightful, and certainly entertaining, film.- Village Voice
- Posted Aug 11, 2015
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- Village Voice
- Posted Jul 27, 2015
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- Diana Clarke
Deraspe returns specificity, intimacy, and human weirdness to this international scandal.- Village Voice
- Posted Jul 23, 2015
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- Diana Clarke
It's rare to find a film that portrays dancers of all shapes, colors, ages, and sizes as beautiful, which they are.- Village Voice
- Posted Jul 7, 2015
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- Diana Clarke
This film does not pander. Rather, it demands that the viewer rise to the occasion.- Village Voice
- Posted Jun 30, 2015
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- Diana Clarke
This strange, quiet film takes social narratives about romance and gender and upends them, often seeming like one thing until it's another.- Village Voice
- Posted Jun 23, 2015
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- Diana Clarke
This movie about violence and how it comes into intimate spaces refuses to make even animals only animal. It's beautiful and important and very strange.- Village Voice
- Posted Jun 16, 2015
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- Diana Clarke
The Yes Men visit rural Uganda, Canadian oil fields, Zuccotti Park, and a climate change conference in Copenhagen, but in its best moments this loopy yet informative doc becomes a buddy movie.- Village Voice
- Posted Jun 9, 2015
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- Diana Clarke
This film is a wakeup call in the best sense: urgent, clear, understated.- Village Voice
- Posted Jun 4, 2015
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- Diana Clarke
Fowler's work is bureaucratic, institutional, Western-focused. Which shouldn't matter, because it's good work, but as a story of salvation it feels too familiar.- Village Voice
- Posted Jun 2, 2015
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- Diana Clarke
It's a fault of feminism, of artistry, of generosity, for the older woman to envy one younger. And yet. How do we escape the myths into which we are born? We tell them, and show the hard work of telling.- Village Voice
- Posted May 13, 2015
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- Diana Clarke
López is a singularly tender, compelling, and articulate campaigner in this high-stakes struggle for justice, filmed with the urgency and suspense of a Hitchcock thriller.- Village Voice
- Posted Apr 1, 2015
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- Diana Clarke
It's laugh-out-loud silly if you're in the mood, but mostly embarrassing. Science could certainly use more philosophy, but not at the expense of dignity, never mind common sense.- Village Voice
- Posted Mar 19, 2015
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- Diana Clarke
[A] bizarre and wonderful doc that's pitched like a home movie but crafted with fine, poignant sensibilities.- Village Voice
- Posted Feb 24, 2015
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- Diana Clarke
What a relief to watch this small, expert film — a pane of glass in a concrete wall — that whispers, that dares to stand still and witness ordinary human pain.- Village Voice
- Posted Feb 24, 2015
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- Diana Clarke
For a film whose central motif is dance, there's remarkably little dancing done onscreen, and though Rowland and her co-star share moments of tender, revealing conversation, the movie is ultimately underwhelming, its emotional range as limited as that of its characters.- Village Voice
- Posted Dec 9, 2014
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- Diana Clarke
It's too rare for movies to depict women working together as friends to effect political change, and this one makes it seem righteous, loud, and fun as a rock concert. Free the Nipple won't change the conversation, but it might help start one.- Village Voice
- Posted Dec 9, 2014
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- Diana Clarke
It can be unsettling, for regular documentary viewers, to take in a film so relentlessly optimistic, communal, and lacking in nostalgia, but those qualities were key to the success of the women of Biolley.- Village Voice
- Posted Dec 2, 2014
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- Diana Clarke
Monk With a Camera hints at answers, but imposes nothing. Like a good photograph, or a wise abbot, it only presents the evidence and allows us to arrive at truth.- Village Voice
- Posted Nov 18, 2014
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- Diana Clarke
Despite its context in a global conflict, Uprising is a strangely intimate film.- Village Voice
- Posted Nov 4, 2014
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- Village Voice
- Posted Oct 14, 2014
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- Diana Clarke
The documentary can sometimes feel like a video game, with cartoonish pinging graphics, but the real-life consequences of digital activity, from arrests to CIA monitoring and a total lack of privacy for ordinary citizens, heighten its stakes.- Village Voice
- Posted Oct 14, 2014
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- Diana Clarke
Lipper does an excellent job of using her film as a vehicle for the voices and concerns of Nigerians, and especially of Nigerian women, who are traditionally expected to stay at home while men operate in the public sphere. But Lipper does not limit her camera to political struggles.- Village Voice
- Posted Sep 30, 2014
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- Diana Clarke
The filmmakers assume, rightly for the most part, that viewers will be invested in the origin story and power struggles at the start-up MakerBot, one of the first companies to make and sell 3-D printers to the public.- Village Voice
- Posted Sep 25, 2014
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- Village Voice
- Posted Sep 16, 2014
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- Village Voice
- Posted Sep 9, 2014
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- Diana Clarke
Vail's film earnestly interrogates authenticity even as her camera lingers on a beach without footprints, inviting the viewer to walk.- Village Voice
- Posted Sep 2, 2014
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