For 65 reviews, this critic has graded:
  • 35% higher than the average critic
  • 0% same as the average critic
  • 65% lower than the average critic
On average, this critic grades 14.4 points lower than other critics. (0-100 point scale)

David Baron's Scores

  • Movies
  • TV
Average review score: 51
Highest review score: 100 Richard III
Lowest review score: 0 Weekend at Bernie's II
Score distribution:
  1. Positive: 20 out of 65
  2. Negative: 16 out of 65
65 movie reviews
    • 59 Metascore
    • 10 David Baron
    A tedious mock-medieval adventure yarn that's easily the worst film so far this year...Without a single clever line of dialogue (by contrast, Arnold Schwarzenegger's one-liners rank with Oscar Wilde's) or a story of even marginal coherence, the movie relies entirely on visual overkill to bludgeon the viewer into a state of comatose submission. [19 Feb 1993, p.L23]
    • New Orleans Times-Picayune
    • 46 Metascore
    • 20 David Baron
    You'd never know, watching a loud, shrill, relentlessly stupid comedy called Airheads, that this 90-minute waste of celluloid is by Michael Lehmann, the ostensibly talented director of "Heathers," a wickedly sharp black comedy released in 1989. Unless, of course, you happen to recall that Lehmann is the same guy who more recently gave us the atrocious "Hudson Hawk." [5 Aug 1994, p.L26]
    • New Orleans Times-Picayune
    • 51 Metascore
    • 37 David Baron
    The sheer abundance of bare bosoms and coyly choreographed hanky-panky is exceeded only by the syrupy swell of violins at every climax. [06 Mar 1998, p.L31]
    • New Orleans Times-Picayune
    • 45 Metascore
    • 20 David Baron
    What on Earth is Tom Berenger doing in a picture as awful as "Sniper"? [2 Feb 1993, p.D7]
    • New Orleans Times-Picayune
    • 41 Metascore
    • 25 David Baron
    At last! - a movie that combines the most lurid and irresponsible aspects of the "Mandingo" black-exploitation yarns of the '70s with the gratuitous violence and ubiquitous gore of today's horror cheapies. [17 Mar 1995, p.L34]
    • New Orleans Times-Picayune
    • 41 Metascore
    • 30 David Baron
    It has been directed with no discernible style by Robert Harmon, who did far more imaginative work on "The Hitcher." It is acted in a near-narcoleptic stupor by Van Damme, whose only aesthetic contribution to the movie is a series of beefcake scenes featuring partial nudity. [19 Jan 1993, p.D7]
    • New Orleans Times-Picayune
    • 40 Metascore
    • 0 David Baron
    If all this sounds totally awesome, you're probably already an afficionado of the Sega- and Nintendo-licensed products from which director Jim Yukich's movie has been cloned. And you may be brain-dead as well, which would certainly enhance your enjoyment of his picture. [11 Nov 1994, p.L29]
    • New Orleans Times-Picayune
    • 36 Metascore
    • 25 David Baron
    Hype Williams is a trend-setting music video director who has decided to take the plunge into feature films. One devoutly wishes he hadn't. [06 Nov 1998, p.L31]
    • New Orleans Times-Picayune
    • 34 Metascore
    • 25 David Baron
    Street Fighter's cartoon plot has no purpose other than to provide butts for our hero to kick. Van Damme does so with martial arts efficiency, but zero charm, and this weary assessment pretty well sums up why I'm praying his fifteen minutes of fame are about over. [06 Jan 1995, p.L29]
    • New Orleans Times-Picayune
    • 33 Metascore
    • 37 David Baron
    Director Rob Reiner hits a career low at the helm of "North," a charmless comedy-fantasy starring Elijah Wood as a disgruntled 11-year-old. [22 Jul 1994, p.L29]
    • New Orleans Times-Picayune
    • 33 Metascore
    • 30 David Baron
    Rash's movie is forgettable, the smarmy Shore being just as hard to take as the sophomoric one. So if you're not a fan, consider waiting for Son-In-Law to slouch its way into a dollar house. [2 July 1993, p.L22]
    • New Orleans Times-Picayune
    • 33 Metascore
    • 20 David Baron
    One other problem. Parodying movies like "Basic" and "Attraction" is an inherently dicey proposition. After all, such oversexed morality tales are practically parody themselves. [2 Nov 1993, p.C10]
    • New Orleans Times-Picayune
    • 30 Metascore
    • 20 David Baron
    This blunt-edged, in-your-face comedy, however, is simply too obtuse to provide enjoyment for post-adolescent viewers. (Youngsters, I suspect, will eat it up.) Its mile-a-minute gag attempts yield groans far more frequently than laughs, and its humor is so unsubtly deadpan as to undercut the wit that lurks behind its premise. [9 Feb 1993, p.D7]
    • New Orleans Times-Picayune
    • 28 Metascore
    • 20 David Baron
    Daytime serial star Shane McDermott and "cha-ching" man Seth Green vie to create the most annoying teen screen personality this side of Pauly Shore in "Airborne," a high-velocity skating movie that remains hopelessly earthbound. [22 Sept 1993, p.E10]
    • New Orleans Times-Picayune
    • 26 Metascore
    • 20 David Baron
    The cutesy comedy "Look Who's Talking" has now spawned a second sequel, and it's even smarmier than the last two outings in this increasingly unbearable series. [9 Nov 1993, p.C10]
    • New Orleans Times-Picayune
    • 16 Metascore
    • 0 David Baron
    Utterly atrocious. It returns Andrew McCarthy, the world's most pretentious actor under 30, to the farcical lead for which he's ill-equipped, trashes a slew of West Indian religious traditions, and manages to find only one really catchy tune - Arrow's soca-syncopated "Dancin' Mood" - in a soundtrack that ought to have sizzled. [15 July 1993, p.E9]
    • New Orleans Times-Picayune

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