Daniel M. Gold

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For 109 reviews, this critic has graded:
  • 47% higher than the average critic
  • 11% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 5.4 points lower than other critics. (0-100 point scale)

Daniel M. Gold's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 90 Aida's Secrets
Lowest review score: 0 United Passions
Score distribution:
  1. Positive: 54 out of 109
  2. Negative: 11 out of 109
109 movie reviews
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    • 50 Daniel M. Gold
    Written and directed by Chris Hansen, this romance has its authentic moments. As it happens, Mr. Brumlow and Ms. Vander Broek are married, but their familiarity hurts as much as it helps.
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    • 70 Daniel M. Gold
    While the detached, deadpan tone and occasionally stilted acting might leave some viewers flat, there’s no doubting the fierce intelligence behind this admirable puzzle box of a movie.
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    • 50 Daniel M. Gold
    Hollidaysburg is a pleasant if unremarkable coming-of-age film.
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    • 50 Daniel M. Gold
    This low-budget film is often static and awkward... Smaller scenes, though, like those when Guinevere interacts with her tough-minded lawyer of a sister or an old classmate from high school, have a realness to them.
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    • 30 Daniel M. Gold
    No role is sketched out beyond brush strokes, and no relationship is meaningfully examined.
    • tbd Metascore
    • 70 Daniel M. Gold
    Scattering history lessons and ambiguous imagery amid Ms. Yoo’s engagement with North Koreans, her film implicitly asks: What must they think of us?
    • tbd Metascore
    • 60 Daniel M. Gold
    Fever doesn’t come to a neat ending and ultimately feels unsatisfying. Before then, though, it’s an intriguing and intelligent update of a true crime still chilling more than 90 years later.
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    • 40 Daniel M. Gold
    The film opts for a somber if gentle tone that, given the story, is equally ill suited.
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    • 60 Daniel M. Gold
    Mi America is not just about a murder case but about how residents of divided communities share a history and deal with one another, sometimes hopefully, always warily.
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    • 40 Daniel M. Gold
    The movie is thin on true narrative, preferring to study Irene without shedding quite enough light on her background or tracking her development.
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    • 60 Daniel M. Gold
    The director, Robert Lusitana, who ran for Larsen himself, has assembled a touching celebration of a coach and mentor.
    • tbd Metascore
    • 40 Daniel M. Gold
    The movie touches on some worthy topics — sex, age, ego, desire, reason, insanity, death — but never focuses long on any of them: Some bits are amusing, most are simply tedious.
    • tbd Metascore
    • 70 Daniel M. Gold
    [A] well-paced and cogent seminar.
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    • 80 Daniel M. Gold
    What Class Divide does exceptionally well is capture the sense of change at warp speed.
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    • 50 Daniel M. Gold
    Directed by Matthew Hausle and Steven C. Barber, “Never Surrender” frustrates with its lack of focus.
    • tbd Metascore
    • 80 Daniel M. Gold
    The Ataxian has moments of inspiration, beauty, even euphoria. But its lasting contribution is in making the world a little more familiar with this disease, and a little less lonely for the families struggling against it.
    • tbd Metascore
    • 50 Daniel M. Gold
    The film, like its subject, frustrates in its inability to focus; there is no deep inquiry into what makes Anderson tick. It’s like skimming a stone across a lake.
    • tbd Metascore
    • 80 Daniel M. Gold
    Less of a solemn pilgrimage than a folksy visit, this film is a chance to set a spell, watch longtime musicians play and boast and reflect about their lives on and off the road.
    • tbd Metascore
    • 70 Daniel M. Gold
    No Dress Code Required chronicles the grudging advance of cultural change.

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