Daniel M. Gold
Select another critic »For 109 reviews, this critic has graded:
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47% higher than the average critic
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11% same as the average critic
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42% lower than the average critic
On average, this critic grades 5.4 points lower than other critics.
(0-100 point scale)
Daniel M. Gold's Scores
- Movies
- TV
| Average review score: | 60 | |
|---|---|---|
| Highest review score: | Aida's Secrets | |
| Lowest review score: | United Passions | |
Score distribution:
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Positive: 54 out of 109
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Mixed: 44 out of 109
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Negative: 11 out of 109
109
movie
reviews
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- Daniel M. Gold
Written and directed by Chris Hansen, this romance has its authentic moments. As it happens, Mr. Brumlow and Ms. Vander Broek are married, but their familiarity hurts as much as it helps.- The New York Times
- Posted Jun 12, 2014
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- Daniel M. Gold
While the detached, deadpan tone and occasionally stilted acting might leave some viewers flat, there’s no doubting the fierce intelligence behind this admirable puzzle box of a movie.- The New York Times
- Posted May 22, 2014
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- The New York Times
- Posted Sep 18, 2014
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- Daniel M. Gold
This low-budget film is often static and awkward... Smaller scenes, though, like those when Guinevere interacts with her tough-minded lawyer of a sister or an old classmate from high school, have a realness to them.- The New York Times
- Posted Dec 4, 2014
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- Daniel M. Gold
No role is sketched out beyond brush strokes, and no relationship is meaningfully examined.- The New York Times
- Posted Dec 11, 2014
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- Daniel M. Gold
Scattering history lessons and ambiguous imagery amid Ms. Yoo’s engagement with North Koreans, her film implicitly asks: What must they think of us?- The New York Times
- Posted Sep 17, 2015
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- Daniel M. Gold
Fever doesn’t come to a neat ending and ultimately feels unsatisfying. Before then, though, it’s an intriguing and intelligent update of a true crime still chilling more than 90 years later.- The New York Times
- Posted Aug 27, 2015
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- Daniel M. Gold
The film opts for a somber if gentle tone that, given the story, is equally ill suited.- The New York Times
- Posted Oct 8, 2015
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- Daniel M. Gold
Mi America is not just about a murder case but about how residents of divided communities share a history and deal with one another, sometimes hopefully, always warily.- The New York Times
- Posted Oct 15, 2015
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- Daniel M. Gold
The movie is thin on true narrative, preferring to study Irene without shedding quite enough light on her background or tracking her development.- The New York Times
- Posted Oct 15, 2015
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- Daniel M. Gold
The director, Robert Lusitana, who ran for Larsen himself, has assembled a touching celebration of a coach and mentor.- The New York Times
- Posted Oct 29, 2015
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- Daniel M. Gold
The movie touches on some worthy topics — sex, age, ego, desire, reason, insanity, death — but never focuses long on any of them: Some bits are amusing, most are simply tedious.- The New York Times
- Posted Dec 17, 2015
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- The New York Times
- Posted Jan 28, 2016
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- Daniel M. Gold
What Class Divide does exceptionally well is capture the sense of change at warp speed.- The New York Times
- Posted Apr 13, 2016
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- Daniel M. Gold
Directed by Matthew Hausle and Steven C. Barber, “Never Surrender” frustrates with its lack of focus.- The New York Times
- Posted Sep 29, 2016
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- Daniel M. Gold
The Ataxian has moments of inspiration, beauty, even euphoria. But its lasting contribution is in making the world a little more familiar with this disease, and a little less lonely for the families struggling against it.- The New York Times
- Posted Dec 15, 2016
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- Daniel M. Gold
The film, like its subject, frustrates in its inability to focus; there is no deep inquiry into what makes Anderson tick. It’s like skimming a stone across a lake.- The New York Times
- Posted May 3, 2017
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- Daniel M. Gold
Less of a solemn pilgrimage than a folksy visit, this film is a chance to set a spell, watch longtime musicians play and boast and reflect about their lives on and off the road.- The New York Times
- Posted Jul 13, 2017
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- Daniel M. Gold
No Dress Code Required chronicles the grudging advance of cultural change.- The New York Times
- Posted Nov 2, 2017
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