Cody Clark

Select another critic »
Mr. Showbiz
For 96 reviews, this critic has graded:
  • 54% higher than the average critic
  • 5% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 13.8 points lower than other critics. (0-100 point scale)

Cody Clark's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 100 Brigham City
Lowest review score: 0 Dude, Where's My Car?
Score distribution:
  1. Positive: 33 out of 96
  2. Mixed: 35 out of 96
  3. Negative: 28 out of 96
96 movie reviews
view
per page
    • 54 Metascore
    • 60 Cody Clark
    From Hell
    The movie's most glaring flaw is that the brothers and their screenwriters, Terry Hayes and Rafael Yglesias, don't manage to preserve the secret of the Ripper's identity for nearly as long as they intend to.
    • Mr. Showbiz
    • 53 Metascore
    • 40 Cody Clark
    When Brendan Met Trudy
    McDonald makes for an appealingly befuddled bloke, and the sprightly Montgomery would turn any blighter's head. In a better movie, we'd care about what happened to them.
    • 52 Metascore
    • 90 Cody Clark
    Bounce
    Roos combines a sharp script with excellent performances.
    • Mr. Showbiz
    • 52 Metascore
    • 80 Cody Clark
    The Curse of the Jade Scorpion
    Allen's good with the material, but Hunt sparkles, repeatedly razoring her diminutive antagonist to shreds.
    • Mr. Showbiz
    • 52 Metascore
    • 80 Cody Clark
    Atlantis: The Lost Empire
    A wide-eyed, action-adventure throwback to the era of Disney's magnificent adaptation of "20,000 Leagues Under the Sea."
    • Mr. Showbiz
    • 52 Metascore
    • 80 Cody Clark
    Rat Race
    An outrageously silly movie that makes me laugh.
    • Mr. Showbiz
    • 51 Metascore
    • 59 Cody Clark
    The Road to El Dorado
    Feels like it was pulled out of the freezer and hastily microwaved about 10 minutes before you arrived at the theater.
    • 49 Metascore
    • 29 Cody Clark
    Mystery, Alaska
    Has its share of small pleasures.
    • 49 Metascore
    • 60 Cody Clark
    Final Fantasy: The Spirits Within
    The result is a feast for the eyes but frequently a famine for the frontal lobes, a movie of towering imagination and middling rewards.
    • Mr. Showbiz
    • 49 Metascore
    • 80 Cody Clark
    Bedazzled
    Something of a featherweight, but it's also a positively divine comedy.
    • Mr. Showbiz
    • 49 Metascore
    • 60 Cody Clark
    Dr. Dolittle 2
    Murphy's second outing as the M.D. who talks to the animals is surprisingly engaging.
    • Mr. Showbiz
    • 49 Metascore
    • 60 Cody Clark
    K-PAX
    Spacey and Bridges -- generally provide exactly the level of investment required for their characters to be convincing. Neither one showboats, and both make good use of the dry humor in Leavitt's script.
    • Mr. Showbiz
    • 48 Metascore
    • 41 Cody Clark
    Kingdom Come
    The characters and their dilemmas are never convincing.
    • 48 Metascore
    • 77 Cody Clark
    Sugar & Spice
    If you're in the mood for a helping of lite cheesecake, you ought to find plenty of reason to shake your pom-poms.
    • 48 Metascore
    • 40 Cody Clark
    Hard Ball
    The actors playing the team members have stereotypical roles, but these kids have got game.
    • Mr. Showbiz
    • 47 Metascore
    • 40 Cody Clark
    Heartbreakers
    Folks who are desperate to ogle Hewitt and Weaver probably can't be warned off this turkey.
    • Mr. Showbiz
    • 46 Metascore
    • 40 Cody Clark
    One Night at McCool's
    As its plot is entirely negligible, whether or not you enjoy One Night at McCool's probably depends on how funny you think the performances are.
    • 46 Metascore
    • 33 Cody Clark
    Blue Streak
    An empty reminder that Martin Lawrence can be pretty funny, in a spastic, loose-limbed way -- maybe next time he'll get a worthwhile script.
    • Mr. Showbiz
    • 45 Metascore
    • 45 Cody Clark
    The Kid
    Every time the movie seems poised to veer into watchability, however, Turteltaub is there, like a beat cop for the Fun Police, reminding us to laugh, sigh, or tear up.
    • 44 Metascore
    • 40 Cody Clark
    Pearl Harbor
    What comes before and after the sound and fury of the bombing raid are reams of banal dialogue.
    • Mr. Showbiz
    • 43 Metascore
    • 82 Cody Clark
    The Mexican
    The plot that propels them (Pitt, Roberts) along separate story lines is both unusually character-driven and a hoot.
    • 43 Metascore
    • 40 Cody Clark
    The Animal
    The worst thing about The Animal -- is how frequently it becomes boring.
    • 43 Metascore
    • 40 Cody Clark
    American Pie 2
    Pie 2 has neither undercurrent, and hence what was passably cute the first time seems much more puerile and shrill here.
    • Mr. Showbiz
    • 43 Metascore
    • 60 Cody Clark
    The Last Castle
    It's good enough, smart enough, and people will like it. It's also a high-concept cop-out, a convention-strangled genre movie that never zigs when your every instinct is screaming that it's about to zag.
    • Mr. Showbiz
    • 42 Metascore
    • 70 Cody Clark
    The Family Man
    A warm, glossy holiday fable that hits some surprisingly sweet notes.
    • Mr. Showbiz
    • 42 Metascore
    • 60 Cody Clark
    Jurassic Park III
    The ending is so absurd, in fact, that it feels like it was improvised by a committee of 6-year-olds. If the raptors truly were intelligent, they'd have eaten the final reel.
    • Mr. Showbiz
    • 42 Metascore
    • 38 Cody Clark
    Bicentennial Man
    This saga of one robot's determined quest to become human is so coldly calculated it could give you frostbite.
    • Mr. Showbiz
    • 42 Metascore
    • 47 Cody Clark
    Along Came a Spider
    With the dependably compelling Freeman present, even its worst moments are not unwatchable.
    • 41 Metascore
    • 67 Cody Clark
    Mad About Mambo
    Mad About Mambo's steps may be as familiar as the hokeypokey, but there's just enough gusto in the execution to make it a guilty pleasure.
    • 41 Metascore
    • 11 Cody Clark
    Double Jeopardy
    It has no subtlety, no shadings, and no suspense, and might as well not have a screenplay.
    • Mr. Showbiz
Page:

Top Trailers

See all »
See all trailers »