Clifford Terry

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Chicago Tribune
For 36 reviews, this critic has graded:
  • 36% higher than the average critic
  • 2% same as the average critic
  • 62% lower than the average critic
On average, this critic grades 12.6 points lower than other critics. (0-100 point scale)

Clifford Terry's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 88 Enchanted April
Lowest review score: 12 Stay Tuned
Score distribution:
  1. Positive: 16 out of 36
  2. Mixed: 10 out of 36
  3. Negative: 10 out of 36
36 movie reviews
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    • 36 Metascore
    • 25 Clifford Terry
    The Next Karate Kid
    It should be obvious to anyone at this point in time that Kid is getting a little long in the tooth. As Miyagi might say: Those who keep milking same idea . . . end up killing cash cow.
    • 56 Metascore
    • 38 Clifford Terry
    The Indian Runner
    Not only is [Penn's] film overlong and overwrought, it suffers from a pacing that is so deliberate it is positively sluggish. [04 Oct 1991, p.K]
    • Chicago Tribune
    • 58 Metascore
    • 63 Clifford Terry
    Geronimo: An American Legend
    Relentlessly driven by fashionable revisionism and good intentions, Geronimo: An American Legend-which deals with "days of bravery and cruelty, heroism and deceit"-is so politically correct it often is dramatically inert. [10 Dec 1993, p.C]
    • Chicago Tribune
    • 66 Metascore
    • 50 Clifford Terry
    Sommersby
    Shifting her "Silence of the Lambs" accent a bit westward, the always-reliable Foster is given little to do except react and smile enigmatically, while the always-wooden Gere is all grins and charm, coming across less as a shadowy protagonist than a State Farm agent. [05 Feb 1993, p.B]
    • Chicago Tribune
    • 70 Metascore
    • 75 Clifford Terry
    City Slickers
    The best-sport award, though, goes to Palance, who turns in a delicious self-parody. [7 June 1991, p.D-2]
    • Chicago Tribune
    • 69 Metascore
    • 75 Clifford Terry
    Europa
    A bizarre, dreamlike, surrealistic thriller, Zentropa is one of those films that is easier to admire than like. Creatively crafted and finely tuned, it is also an extremely cold, nihilistic work - as starkly efficient as the imperious railroad company that forms the centerpiece. [03 Jul 1992, p.C]
    • Chicago Tribune
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