Clarisse Loughrey
Select another critic »For 467 reviews, this critic has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this critic grades 0.6 points lower than other critics.
(0-100 point scale)
Clarisse Loughrey's Scores
- Movies
- TV
| Average review score: | 65 | |
|---|---|---|
| Highest review score: | Barbie | |
| Lowest review score: | Black Adam | |
Score distribution:
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Positive: 223 out of 467
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Mixed: 222 out of 467
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Negative: 22 out of 467
467
movie
reviews
- By Date
- By Critic Score
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- Clarisse Loughrey
There’s enough warmth to Guerrero’s script, co-written with Shane McKenzie and Perry Blackshear, to paper over the odd rickety effect or wooden performance.- The Independent
- Posted Oct 1, 2021
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- Clarisse Loughrey
It was Gyllenhaal, here in a producer role, who initially bought the rights to Gustav Möller’s Danish film. You could call this a vanity project, but at least his presence adds a dose of originality to this carbon copy remake.- The Independent
- Posted Oct 1, 2021
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- Clarisse Loughrey
It is a film of such literal and emotional largeness that it overwhelms the senses.- The Independent
- Posted Sep 29, 2021
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- Clarisse Loughrey
Cary Joji Fukunaga has made a smashing piece of action cinema with No Time to Die – it’s just a shame it had to be a Bond film.- The Independent
- Posted Sep 28, 2021
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- Clarisse Loughrey
As light as McAvoy’s touch might be – this is a film, after all, that features a James Corden cameo – there’s more to do here than simply cheer the boys on and hope they get one over on the Oxbridge elite. There are bigger questions to ask, and California Schemin’ is willing to ask them.- The Independent
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- Clarisse Loughrey
Its self-congratulatory crusade to restore its subject’s reputation has, for the sake of entertainment, distorted reality to the point that it borders on farce.- The Independent
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- Clarisse Loughrey
Pretty Red Dress reaches out gently to a few untouched corners of British film – not only in how it tackles gendered expectations, but in how it finds in Candice neither hero nor villain.- The Independent
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