Chase Hutchinson

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Collider, IGN, IndieWire, The Playlist, The Seattle Times, TheWrap
For 391 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 1.2 points higher than other critics. (0-100 point scale)

Chase Hutchinson's Scores

  • Movies
  • TV
Average review score: 67
Highest review score: 100 X
Lowest review score: 0 Amsterdam
Score distribution:
  1. Positive: 250 out of 391
  2. Mixed: 101 out of 391
  3. Negative: 40 out of 391
391 movie reviews
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    • 54 Metascore
    • 30 Chase Hutchinson
    The Boys in the Boat
    For being based on such a memorable story, it's incredible how forgettable The Boys in the Boat is. Clooney's direction is so empty and the writing so trite that it leaves the committed cast stranded out on the water with nowhere meaningful to go.
    • 53 Metascore
    • 30 Chase Hutchinson
    The Deb
    It’s a meandering experience defined by the broadest of narrative strokes, cardboard cutout characters and musical numbers that start fun before growing more oddly obligatory in nature.
    • tbd Metascore
    • 30 Chase Hutchinson
    Panda Plan
    Jackie Chan has some fun playing himself in Panda Plan, but this family action movie falls flat.
    • 45 Metascore
    • 30 Chase Hutchinson
    Hold Your Breath
    Even as Paulson is putting her all into the film and can firmly grab hold of you at some moments as her strong-willed matriarch comes undone, much like the dust that is floating around the confined setting, it all slips through her fingers.
    • 78 Metascore
    • 30 Chase Hutchinson
    The Ballad of Wallis Island
    It’s a cute premise that ultimately gets wrung so dry that you’re left waiting for it to finally stop. The majority of its jokes either land flat or are run into the ground. Even worse, it pulls on the heartstrings with such force and impatience that the audience manipulation is palpable in every painfully predictable scene.
    • 42 Metascore
    • 30 Chase Hutchinson
    Something in the Water
    It isn’t the worst shark movie out there, but that’s not saying much. By the time we get to the “big final confrontation,” it loses a handle on what it was going for.
    • 52 Metascore
    • 30 Chase Hutchinson
    Amelia's Children
    Amelia's Children is a horror film that has moments of unintentional humor, but is ultimately dull rather than some sort of clever dark comedy.
    • 39 Metascore
    • 30 Chase Hutchinson
    The Underdoggs
    It certainly is a throwback, but it not only stops far short of being a comedy touchdown, it barely feels like it brings anything new to the field.
    • 51 Metascore
    • 30 Chase Hutchinson
    The Man in My Basement
    Each empty bump in the night lands with a dull thud. Even a terrifying dog that becomes crucial to the film has a bark that’s worse than its bite.
    • 73 Metascore
    • 30 Chase Hutchinson
    The Fall Guy
    The Fall Guy feels like an entire feature of scattered ideas that have been done better elsewhere.
    • 47 Metascore
    • 25 Chase Hutchinson
    Wish
    There is real passion in DeBose’s vocal performance as she tries to elevate the rote music. I just wish she were in a better movie.
    • 47 Metascore
    • 25 Chase Hutchinson
    AGGRO DR1FT
    Rather than come away feeling like you’ve watched something truly daring or inventive, it all feels derivative. It is a film that is too mundane to even get mad at.
    • tbd Metascore
    • 25 Chase Hutchinson
    Hidden Strike
    It is the worst thing an action film can possibly be: forgettable.
    • 30 Metascore
    • 25 Chase Hutchinson
    Expend4bles
    The occasional moment of machine gun motorcycle jousting aside, it is a largely dull and dreary experience that never feels like it is ever anything more than a hollow mimicry of far better action works of the past.
    • 33 Metascore
    • 25 Chase Hutchinson
    Five Nights at Freddy's
    There are moments where it feels like it could have become a more gleefully mean-spirited horror ride by really sinking its teeth into the story and actually biting down, but it remains hamstrung by the rating as well as a lack of creativity.
    • 40 Metascore
    • 25 Chase Hutchinson
    65
    Though there are movies that are worse than 65, it is part of a select few that manage to utterly and completely squander their own potential.
    • 40 Metascore
    • 25 Chase Hutchinson
    White Men Can't Jump
    The problem just keeps coming back to Harlow. Not only is he just out of his depth in hitting the necessary comedic notes, but the hollowness of his performance also becomes impossible to overlook when his character goes through a rough patch and must find redemption.
    • 43 Metascore
    • 20 Chase Hutchinson
    Last Days
    Last Days is a film that is so contrived, superficial and misconceived, it does a disservice to the story with every choice it makes.
    • 49 Metascore
    • 20 Chase Hutchinson
    Daniela Forever
    Daniela Forever is afraid to ever dream big, leaving nothing more than a banal nightmare.
    • 38 Metascore
    • 20 Chase Hutchinson
    The Family Plan 2
    Even as all the comedy to be found within this setup had already run dry a full movie ago, The Family Plan 2 keeps going back to the well in the desperate hope that there are still a few drops left.
    • tbd Metascore
    • 20 Chase Hutchinson
    Breathe
    Breathe is empty bluster and nothing more. It’s like a vacuum of where a movie should be, sucking all the air out of the room until nothing is left.
    • 52 Metascore
    • 16 Chase Hutchinson
    Touch Me
    Heimann is so focused on the spectacle of it all that he forgets to do anything with it emotionally or formally, dragging everything to a close, as we return back to the beginning with little of anything meaningful or engaging occurring over the film’s running time.
    • 25 Metascore
    • 16 Chase Hutchinson
    Me Time
    Me Time just goes through the motions of a wacky comedy without any of the actually funny components.
    • 45 Metascore
    • 16 Chase Hutchinson
    Big George Foreman: The Miraculous Story of the Once and Future Heavyweight Champion of the World
    It can be said the film does indeed provide a full summary of Foreman’s recounting of the major events in his life where he comes out looking pretty great, but that hardly makes for a compelling work of cinema.
    • 47 Metascore
    • 16 Chase Hutchinson
    The Marsh King's Daughter
    While Ridley gives her all to a more thoughtful and nuanced performance, The Marsh King's Daughter remains a film on a directionless journey to nowhere. Even with the commitment of its lead, it just gets lost in the woods before falling flat on its face.
    • 31 Metascore
    • 16 Chase Hutchinson
    Pet Sematary: Bloodlines
    All the emotional beats from start to finish are just completely unearned — it's as if every foundational aspect of a good horror story has been washed away, too.
    • 49 Metascore
    • 10 Chase Hutchinson
    Millers in Marriage
    This void of a movie has plenty of the right pieces to work with at hand, but continually arranges them in the most blunt, least interesting manner possible. It’s a film that bolds, underlines and then shouts at you what it’s about, though never authentically earns your emotional investment.
    • 42 Metascore
    • 10 Chase Hutchinson
    Swiped
    Though this film does gesture towards urgent issues, like misogyny being endemic to the modern tech industry, and is genuine in how it seeks to talk about them in a more crowd-pleasing package, it never amounts to being more than one note.
    • tbd Metascore
    • 10 Chase Hutchinson
    Propeller One-Way Night Coach
    Playing like an extended fever dream defined by shallow snapshots of memories, incessant narration by Travolta himself, a gallery of cartoonish, one-note characters, and a poisonous, perfunctory sense of nostalgia, it’s a disaster that leaves no survivors.
    • 49 Metascore
    • 0 Chase Hutchinson
    Amsterdam
    It is a slog of epic proportions that utterly wastes the talents of all involved. Completely lacking in cleverness and without any sense of direction, it is a cinematic drought of entertainment that only has any intrigue in how baffling an artifact it remains. It may not be the worst movie of the year, but it is certainly the most annoying.
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